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London: John Stockdale, 1810. Illustrated by a series of 70 hand colored line and stipple engraved plates by J. Dudley. Second title page in French, and descriptions in French and English with the English on the recto and French on the verso. Folio, full contemporary straight grained green morocco, recased, ornately stamped in gilt & blind, a.e.g. London: Printed for John Stockdale. 1810. Very good (+). The plates are dated 1803, and are in fine, clean condition.
London: Studio Editions, 1988. Foreword by Lord Maclehose of Beoch. 109 color plates, reproduced from the engravings of William Alexander and George Henry Mason. 223pp., 4to, cloth, d.w.; lower edge of rear cover dented near the spine, dust wrapper lightly worn at head of spine. London: Studio Editions, (1988). A very good (+) copy in a very good dust wrapper.
London: Studio Editions, 1988. Foreword by Lord Maclehose of Beoch. 109 color plates, reproduced from the engravings of William Alexander and George Henry Mason. 223 pages, folio, brown cloth (small tear at top front hinge), dust wrapper (front panel of dust wrapper crumpled at top edge) London: Studio Editions, (1988). A very good copy in a good dust wrapper. Remainder mark, bottom edge.
Cambridge: Harvard, 1987. Black & white illustrations. 28 pages. Small slim 4to, stiff pictorial wrappers. Cambridge: Harvard Theatre Collection, 1987. First Edition. Fine. Designed costumes and scenic designs for many theatrical productions including Show Boat, A Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, The Sound of Music and Annie Get Your Gun.
Parma: Franco Maria Ricci, 1972. Numerous exquisite tipped-in color plates, 181pp., printed on blue handmade Fabriano paper. Folio, gilt-stamped black silk cloth, mounted cover illustration, ornately gilt on front cover and spine, black clam shell box. Parma: Franco Maria Ricci, 1972. Fine. Limited Edition, one of 1500 (of 2000) numbered copies bound in silk. Text in English.
Paris: Amedee Bedelet. 12 fine hand-colored plates with tissue guards, illustrated by M. A. Leloir, Hadamar and P. Saint-Germain. 266pp., 8vo, highly ornate pictorial gilt spine and covers, blind stamped navy cloth (covers are lightly rubbed, interior is fine), a.e.g. Paris: Amedee Bedelet, n.d. (ca. 1860). Very goo d(+).
New York: Abrams, 1992. Profusely illustrated in color & in black & white. 408 pages. Square 4to, glossy pictorial wrappers. New York: Harry Abrams, 1992. First softcover edition. Slight delamination on corner of rear cover and faint creasing of spine, otherwise a near fine copy of this uncommon book.
Milan: Casa Editrice Ceschina, 1925. Illustrated throughout with 16 color plates, some embellished with gilt, depicting Italian medals, ribbons and uniforms. 123pp of text in Italian. Short thin 4to, grey cloth with inset color pictorial label (cloth is well-rubbed but sound; inner hinges strengthened). Milano: Casa Editrice Ceschina, 1925. Very good.
Paris: G. Van Oest, 1928. Text volume only. Frontispiece portrait, 10 b/w plates, and numerous in-text figures. 205 pages with text in French. Short 4to, floral cloth with paper labels (corners bumped; spine stained and quite worn at tips; internally fine with unopened pages). Paris et Bruxelles: G. Van Oest, 1928. Overall a good usable copy. Text volume only.
Norwalk: Easton. 9 color plates of soldiers in uniforms. 6 b/w plates of badges, chevrons, and buttons. 5pp. of text. Folio, full brown leather with paper label on front cover, light browning to front and back inner hinges. Norwalk: Easton Press, n.d., circa 1995. Very good A facsimile of the Richmond, 1861 edition in the Library of Congress.