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Berlin: Walter de Gruyter, 1932. 20 in text images and 64 pages of black & white illustrations at rear. xiii, (iii), 96 pages plus index. Tall slim 8vo, red cloth. Berlin: Walter de Gruyter, 1932. First edition. A very good(+) copy. Ownership label of art historian Meyer Schapiro on the pastedown endpaper. Series: Grundriss der slavischen Philologie und Kulturgeschichte.
Berlin: Walter de Gruyter, 1933. Illustrated with 73 black & white plates and 7 in-text figures. 135 pages plus index. Tall 8vo, original white pictorial wrappers (quite worn at edges and spine but internally clean). Berlin: Walter de Gruyter, (1933). First edition. A very good copy. With the small ownership label of art historian Meyer Schapiro.
Lisbon: Calouste Gulbenkian, 1970. Nearly 200 beautiful black-and-white photographs. 260 pages, 4to, cloth; ink inscription on half title page, large dampstain to rear cover and head of spine. Lisbon: The Calouste Gulbenkian Foundation, 1970. Internally clean, a very good(-) copy. Text in Armenian, Russian, and English.
Lyon: Societe Anonyme, 1929. Preface by Marcel Aubert. 26 full page plates, a few in full color, 136 text illustrations, 4to, stiff printed wrappers. Lyon: Societe Anonyme, 1929. One of only 500 copies. Very good. With a 2" tear in the preface not affecting the text. Small ownership signature of art historian Meyer Schapiro.
London: Oxford University Press, 1913. VOLUME I ONLY. Hundreds of illustrations -- photographs, drawings and plans. xxix + 486pp., 4to, gilt-lettered and decorated blue cloth; extensive pencil notes inside rear cover, ownership signature inside front cover, corners bumped, spine faded, spine ends frayed and torn. London: Oxford University Press, 1913. Internally very good, a worn, very good (-) copy.
London: B.T. Batsford, 1905. An Analysis of the Origin & Development of English Church Architecture From the Norman Conquest to the Dissolution of the Monasteries. 1254 illustrations including photgraphs, sketches, plans and diagrams. Over 780pp. Short very very thick tall 4to, original gilt-lettered burgundy cloth, t.e.g. London: B.T. Batsford, 1905. First Edition. Binding slightly cocked, but still a very good copy. With the author's inscription and the small ownership signature of art historian Meyer Schapiro.