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London: Dent, 1903. Newly translated out of the Italian by T.W. Arnold. Frontispiece portrait and decorative title page with tissue guard. 320 pages (deckle edges). 12mo, gorgeous ornately gilt stamped vellum binding with hand-painted red decorations, beveled edges, floral endpapers (front hinge cracking slightly but still very firm). London: J.M. Dent, 1903. A very good(+) copy. Adaptation of the work attributed to Urgolino Brunforte, 1390.
Oxford: Clarendon Press, 1932. Printed in red and black. Small folio, full red morocco elaborately stamped in gilt & blind with numerous borders enclosing four rectangles, also with borders; raised bands with 6 decorated panels on the spine, by the French Binders. Oxford: The Clarendon Press, 1932. Printed with the Greek type of Robert Proctor, the third book for which the type has been used, the others being The Oresteia, (1904) and The Odyssey, (1909). Two leather bookplates and the...
Oxford: Clarendon, 1925. 88 pages (all page edges gilt), slim 12mo, unique binding by Bayntun of polished blue calf with inset red morocco label and elaborate gilt stamping, inner gilt dentelles, mottled endpapers (covers very slightly bowed). A near fine copy. Poems from 1921 and a few earlier pieces.
London: R. Royston, 1677. Illustrated with a superb engraved folding genealogical plate, and 30 smaller in-text portrait engravings. , lxviii, , xvii, , 234pp. Title page printed in red & black. 4to, handsomely rebound by Jennifer Jeston in 3/4 burgundy morocco with blue spine labels (some soiling and dampstaining in the margins of some pages; lacks the frontispiece). London: Printed by R. Norton for R. Royston, 1677. Third Edition. STC (WING) C1588.