New York: A-D Gallery, 1948. Illustrated with 48 tinted reproductions. Thin oblong 8vo, original blue printed wrappers (slightly darkened and soiled). New York: A-D Gallery, 1948. A very good(+) copy of this scarce exhibition catalogue.
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Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
New York: Achim Moeller Fine Art, 1988. Illus. in color, slim 8vo, pict. wrs. New York; Achim Moeller Fine Art, 1988.
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue.
Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
New York: Adelson, 2010. Introduction by Warren Adelson. Essay by James Gardner. 36 full color plates plus additional illustrations. Tall thin 8vo, pictorial boards. New York: Adelson Galleries, 2010. A fine copy. Includes price list.
New York: Denise rene, 1971. Extensively illustrated, primarily in black & white, several transparent overlays. 8vo, glossy pictorial wrapper.New York: Galerie Denise Rene, 1971. A very good copy.
Navarra: Taller Macla, 1990. Profusely illustrated with large color photographs. 117pp with text in English. 4to, stiff glossy pictorial wrappers. Navarra: Taller Macla, . A fine copy of this handsome catalogue, with a lengthy inscription and small drawing on a preliminary page. Scarce. Fine.
Paris: Weber, 1973. Illustrated in both color and black-and-white. 53pp., tall thin 8vo, decorative printed wrappers; some wear to the spine. Paris: Galerie de France et Weber, (1973). A very good copy.
Pittsburgh: Museum of Art, Carnegie Institute, 1977. Many color and b/w illustrations throughout. 4to, pictorial wrappers; very minor bumping at ends. (Pittsburgh): Museum of Art, Carnegie Institute, (1977). Near fine. Exhibition catalogue.
Paris: Atelier Clot, 1989. A curious sewn pamphlet with no text (other than the title, list of plates, and colophon). Illustrated with 63 small lithographs of spectacles, each printed in black on a pale yellow field. Paris: Atelier Clot, (1989). A near fine copy of this unusual exhibition catalogue. The colophon indicates a printing of 940 numbered copies. This one is un-numbered, but does contain a lengthy pencil inscription from Alechinsky on the title, along with another signed note of equal length, inserted.
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck.
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982).
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
New York: Monacelli Press, 2001. Many color Illus. Square 4to, maroon cloth, d.w. (New York): Monacelli Press, (2001). A very good(+) copy.
Chicago: Art Institute of Chicago, 1964. Illustrated in black and white. Unpaginated, very slim 4to, white pictorial wrappers (very slightly edgeworn and dust soiled). Chicago, Art Institute of Chicago, 1964. A very good(+) copy.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler...
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A....
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a fine dust wrapper. Limited edition -- number 23 of 100 copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered and 50 HC). A catalogue for the Matthew Marks Gallery exhibition, October 14 to November 28, 1992.
Boston: Museum of Fine Arts, 1982. Includes text by John Bernard Myers, Paul Cummings, Prescott D. Schutz, Rackstraw Downes, and Louise Hamlin. Illustrated throughout in color and black & white. 107 pages. Wide, slim 4to, pictorial wrappers. Boston: Museum of Fine Arts, (1982). Some very light edgewear but still a very good(+) copy. Catalog for a traveling exhibit at the Museum of Fine Arts in Boston, the Greenville County Museum of Art in South Carolina, the Cleveland Museum of Art...
New York: Acquavella, 2013. Illustrated in color. 95 pages, 4to, grey blind-stamped cloth. New York: Aquavella, (2013). A near fine copy.
Frontispiece, and many b/w plates. 211 pages. Small 4to, black printed paper wrappers. New York: The Asia Institute, (1948). Near fine.
New York: Associated, 1972. Illustrated profusely in b/w. 88pp, plus 6 pages of extra illustrations. Small thin 4to, paper wrappers (small sticker on top corner of front cover, back cover has some small stains). New York: Associated American Artists, 1972. Catalogue from the exhibition on March 20 - April 15, 1972.
Fort Worth: Modern Art Museum of Fort Worth, 1995. 80 color plates, 273 b/w text Illus. 216pp. 4to, pr. wrs. Fort Worth: Modern Art Museum of Fort Worth, (1995). Fine Exhibition catalogue.
New York: Abrams, 2002. Illustrated with many beautiful b/w photographs. Short square 4to, printed accordion-style on both sides of the fold, so the book can be read from both directions. White pictorial boards, in a matching slipcase. New York: Harry N. Abrams, 2002. First edition. A fine copy in a fine slipcase. Printed to accompany the 2002 exhibition at the Metropolitan Museum of Art.