Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
Baltimore: The Walters Art Museum, 2009. Illustrated throughout, mostly in color. Wide 4to, black cloth, d.w. Baltimore: The Walters Art Museum, (2009). A fine copy in a near fine dust wrapper. Catalog for a traveling exhibition. With essays by Michal J. Anderson, Jorge J. Bravo III, Gunnel Ekroth, Guy Hedreen, Ralf von den Hoff, Jennifer Larson, Jenifer Neils, John H. Oakley, Corinne Ondine Pache, H.A. Shapiro.
A curious sewn pamphlet with no text (other than the title, list of plates, and colophon). Illustrated with 63 small lithographs of spectacles, each printed in black on a pale yellow field. Paris: Atelier Clot, (1989). A fine copy of this unusual exhibition catalogue. The colophon indicates a printing of 940 numbered copies. This one is un-numbered, but does contain a lengthy pencil inscription from Alechinsky on the title, along with another signed note of equal length, inserted.
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck.
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982).
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
New York: Random House, 2003. Profusely illustrated with black and white photographs. 352pp. Very thick 4to, light brown cloth, d.w. New York: Random House, (2003). First Edition. A fine copy in a near fine dust wrapper. Published in conjunction with the international exposition premiering at the San Francisco Museum of Modern Art.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler...
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A....
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a fine dust wrapper. Limited edition -- number 23 of 100 copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered and 50 HC). A catalogue for the Matthew Marks Gallery exhibition, October 14 to November 28, 1992.
Boston: Museum of Fine Arts, 1982. Includes text by John Bernard Myers, Paul Cummings, Prescott D. Schutz, Rackstraw Downes, and Louise Hamlin. Illustrated throughout in color and black & white. 107 pages. Wide, slim 4to, pictorial wrappers. Boston: Museum of Fine Arts, (1982). Some very light edgewear but still a very good(+) copy. Catalog for a traveling exhibit at the Museum of Fine Arts in Boston, the Greenville County Museum of Art in South Carolina, the Cleveland Museum of Art...