New York: A-D Gallery, 1948. Illustrated with 48 tinted reproductions. Thin oblong 8vo, original blue printed wrappers (slightly darkened and soiled). New York: A-D Gallery, 1948. A very good(+) copy of this scarce exhibition catalogue.
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Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
New York: Achim Moeller Fine Art, 1988. Illus. in color, slim 8vo, pict. wrs. New York; Achim Moeller Fine Art, 1988.
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue.
Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
New York: Adelson, 2010. Introduction by Warren Adelson. Essay by James Gardner. 36 full color plates plus additional illustrations. Tall thin 8vo, pictorial boards. New York: Adelson Galleries, 2010. A fine copy. Includes price list.
New York: Denise rene, 1971. Extensively illustrated, primarily in black & white, several transparent overlays. 8vo, glossy pictorial wrapper.New York: Galerie Denise Rene, 1971. A very good copy.
Navarra: Taller Macla, 1990. Profusely illustrated with large color photographs. 117pp with text in English. 4to, stiff glossy pictorial wrappers. Navarra: Taller Macla, . A fine copy of this handsome catalogue, with a lengthy inscription and small drawing on a preliminary page. Scarce. Fine.
Baltimore: The Walters Art Museum, 2009. Illustrated throughout, mostly in color. Wide 4to, black cloth, d.w. Baltimore: The Walters Art Museum, (2009). A fine copy in a near fine dust wrapper. Catalog for a traveling exhibition. With essays by Michal J. Anderson, Jorge J. Bravo III, Gunnel Ekroth, Guy Hedreen, Ralf von den Hoff, Jennifer Larson, Jenifer Neils, John H. Oakley, Corinne Ondine Pache, H.A. Shapiro.
Paris: Weber, 1973. Illustrated in both color and black-and-white. 53pp., tall thin 8vo, decorative printed wrappers; some wear to the spine. Paris: Galerie de France et Weber, (1973). A very good copy.
Pittsburgh: Museum of Art, Carnegie Institute, 1977. Many color and b/w illustrations throughout. 4to, pictorial wrappers; very minor bumping at ends. (Pittsburgh): Museum of Art, Carnegie Institute, (1977). Near fine. Exhibition catalogue.
Paris: Atelier Clot, 1989. A curious sewn pamphlet with no text (other than the title, list of plates, and colophon). Illustrated with 63 small lithographs of spectacles, each printed in black on a pale yellow field. Paris: Atelier Clot, (1989). A near fine copy of this unusual exhibition catalogue. The colophon indicates a printing of 940 numbered copies. This one is un-numbered, but does contain a lengthy pencil inscription from Alechinsky on the title, along with another signed note of equal length, inserted.
New York: Prestel, 1995. Catalog for exhibitions at the Royal Academy of Arts in London and the Pierpont Morgan Library. Illustrated throughout in color. 272pp. Short 4to, glossy pictorial wrappers. (New York: Prestel, 1995). A near fine copy. With contributions by Jonathan J.G. Alexander, Lilian Armstrong, Giordana Mariani Canova, Federica Toniolo, William M. Voelkle, and Roger S. Wieck.
Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982).
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
New York: Monacelli Press, 2001. Many color Illus. Square 4to, maroon cloth, d.w. (New York): Monacelli Press, (2001). A very good(+) copy.
Chicago: Art Institute of Chicago, 1964. Illustrated in black and white. Unpaginated, very slim 4to, white pictorial wrappers (very slightly edgeworn and dust soiled). Chicago, Art Institute of Chicago, 1964. A very good(+) copy.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler...
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A....
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a fine dust wrapper. Limited edition -- number 23 of 100 copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered and 50 HC). A catalogue for the Matthew Marks Gallery exhibition, October 14 to November 28, 1992.
Boston: Museum of Fine Arts, 1982. Includes text by John Bernard Myers, Paul Cummings, Prescott D. Schutz, Rackstraw Downes, and Louise Hamlin. Illustrated throughout in color and black & white. 107 pages. Wide, slim 4to, pictorial wrappers. Boston: Museum of Fine Arts, (1982). Some very light edgewear but still a very good(+) copy. Catalog for a traveling exhibit at the Museum of Fine Arts in Boston, the Greenville County Museum of Art in South Carolina, the Cleveland Museum of Art...
New York: Acquavella, 2013. Illustrated in color. 95 pages, 4to, grey blind-stamped cloth. New York: Aquavella, (2013). A near fine copy.
Frontispiece, and many b/w plates. 211 pages. Small 4to, black printed paper wrappers. New York: The Asia Institute, (1948). Near fine.
New York: Associated, 1972. Illustrated profusely in b/w. 88pp, plus 6 pages of extra illustrations. Small thin 4to, paper wrappers (small sticker on top corner of front cover, back cover has some small stains). New York: Associated American Artists, 1972. Catalogue from the exhibition on March 20 - April 15, 1972.
Fort Worth: Modern Art Museum of Fort Worth, 1995. 80 color plates, 273 b/w text Illus. 216pp. 4to, pr. wrs. Fort Worth: Modern Art Museum of Fort Worth, (1995). Fine Exhibition catalogue.