Paris: Libraries-Imprimeries Reunies. 300 facsimiles in black and white, 12 color plates, 350pp., thick 4to, 3/4 morocco, raised bands, red leather spine label, marbled boards, t.e.g., original wrappers bound in; (spine sunned). Paris: Libraries-Imprimeries Reunies, n.d., ca. 1890. Very good (+).
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Paris: Berger-Levrault, 1916. Over 100 black & white illustrations, 22pp. of text, first few pages heavily foxed, 8vo, rebound in dark green cloth with the original brown pictorial wrappers bound in (front wrapper loose). Paris: Berger-Levrault, 1916. First Edition. Very Good. Illustrations by Forain, Iribe, Morin, Poulbot, Roubille, Sem, Steinlin, Valloton and others. Ownership bookplate.
Berkeley: University of California Press, 1982. Edited and translated by Walter Arndt. Color frontispiece with many b/w illustrations throughout. Square 4to, grey cloth, d.w. (a bit edgeworn with a small tear on front cover). Berkeley: University of California Press, (1982). A near fine copy in a very good(+) dust wrapper.
London: Heinemann, 1913. 50 plates mounted on art paper. Tall 8vo, diced green cloth pictorially stamped in gilt. London: Heinemann, 1913. First Edition. two bookplates, including that of Beerbohm scholar N. John Hall. Beerbohm wrote, "The Laurelled gentleman on the cover...was intended to represent and typify triumphant mediocrity; and the arrow was supposed to be sped from my own bow. Two or three reviewers, however, thought the gentleman was myself. This pained me deeply..."
New Haven: Yale, 1985. With 80 illustrations by the Author, and an Introduction by N.John Hall. 8vo, brown cloth, d.w. New Haven, 1985. First Edition thus. Beerbohm's illustrations with which he had added to his own copy are here reproduced for the first time. Signed by N. John Hall, and with his book label.
London: Heinemann, 1925. Colored frontispiece and 51 caricatures in black & white. Sq. 4to, yellow cloth; light stains on covers, London: Heinemann, 1925. First Edition.
London: Heinemann, 1921. Colored frontispiece & 51 other mounted caricatures and satirical fantasies. Square 4to, handsomely rebound in 1/2 crimson morocco, decorative spine. London: Heinemann, 1921. First Edition. Fine.
London: Heinemann, 1923. Colored frontispiece and 49 plates in black & white. Sq. 4to, cloth, lightly shelf-worn & faded at the spine and edges. London: Heinemann, 1923. First Edition. A series of caricature portraits.
An Intimate Memoir of Sir Max Beerbohm. Illustrated, 317pp. 8vo, cloth. N.Y.: Random House, 1960. Very good in lightly worn dust jacket. Book of the Month Club edition.
Paris: Plon, 1876. l'Hiver-Le Printemps-L'Ete-L'Automne. Black and white frontis., illustrations throughout by Bertall, 667pp., thick 4to, 1/2 green morocco, gilt-dec. raised bands; (covers a bit rubbed, light foxing on flyleaves). Paris: E. Plon, 1876. Very good(+).
London: John Lane The Bodley Head, 1911. With an Introductory Essay on Pictorial Satire as a Factor in Napoleonic History by J. Holland Rose. Numerous illustrations with many in full color. Volume II only. Thick 8vo, gilt decorated red cloth. London: John Lane The Bodley Head, 1911. Very Good (+). Volume II is devoted to European caricatures, including sections on French, Italian, Spanish, Scandinavian, German, and Russian, with a section on Napoleonic caricatures in pottery and porcelain. Extensive appendices contain...
London: John Lane The Bodley Head, 1911. With an Introductory Essay on Pictorial Satire as a Factor in Napoleonic History by J. Holland Rose. With Nearly 250 Illustrations, 24 in color. 2 volumes. Thick 8vo, gilt decorated orange cloth, spines sunned and a bit dust-soiled. London, 1911. Very good. Volume I deals with English caricatures, containing the work of Gillray, Rowlandson, Cruikshank, etc. Volume II is devoted to European caricatures, including sections on French, Italian, Spanish, Scandinavian, German, and Russian...
Munich: Braun & Schneider, 1880. Illustrated with black & white drawings throughout. 4to, cloth; repaired on top & bottom of spine & front endpaper torn & partially detached, ex-lib bookplate pasted on front pasted down endpaper. Munchen; Braun & Schneider, n.d. (ca. 1880). Text in German. Good.
Zurich: Xascher, 1947. Frontispiece portrait + 987 black & white illustrations. Tall thick 8vo, cloth, worn d.w. Zurich: Xascher, 1947. Very good. The incomparable caricatures of Germany's greatest cartoonist.
Munich: Bertelsmann, 1999. Herausgegeben von R. Hochhuth. 2 volumes. I: Und die Moral von der Geschicht. II: Was Beliebt ist auch Erlaubt. Illustrated with many hundreds of humorous drawings, some in color. Thick 8vos, decorative boards; matching board slipcase. (Munchen: C. Bertelsmann, 1999). A fine set in a near fine slipcase. Collected works of Germany's great 19th century cartoonist whose highly popular drawings influenced future development of the comic strip.
New York: Frederick Ungar. Jubilaums Ausgabe. Frontispiece portrait. 1500 illustrations. 355pp. 4to, green cloth (lightly rubbed). New York, (no date, circa 1924). Very good.
Munich: Bassermann, 1925. Frontispiece portrait of Busch. 1500 black & white illustrations. Title printed in red & black. Large 4to, black cloth backed boards. Munich: Bassermann, 1925. Very good (+).
Munich: Bassermann, 1955. Frontispiece portrait of Busch. 1500 black & white illustrations. Title printed in red & black. Large 4to, full burgundy leather. Munich: Bassermann, 1955. d.w. (dulled). Very good (+).
Illustrated. 507pp. Thick 8vo, cloth, d.w. London: Constable, (1964).Near fine.
Paris: Charivari, 1860. Each issue with approximately 60 Cham black and white cartoons, some folding, bound in one volume with original wrappers bound in. 4to, 1/2 polished orange calf, marbled boards; (some issues heavily foxed). Paris: Charivari/Arnaud de Vresse, ca. 1860. Very good. The set contains L'Exposition de Londres Croquis Comiques, Croquis Parisiens Album, Croquis de Printemps, Promenades a l'Exposition, Nos Jeux et Nos Ris, Croquis d'Automne, Les Echappes de Charenton, Miroir de la Cuisine et du Pique-Assiette, Les Comiques...
Paris: Dentu, 1860. 3 volumes, colored frontispiece, numerous black & white illustrations, 12mo, 3/4 maroon calf, marbled boards (scuffed). Paris: E. Dentu, ca 1860. Tight clean interior and rubbed binding.
New York: Brentano, 1918. Many Illus. oblong 4to, red cloth, covers warped, back cover dampstained, some margins of plates wrinkled, front flyleaf creased, spine worn and repaired. New York: Brentano, 1918. Reproduced from the original lithographs published form 1856 to 1872 with an introduction.
London: Routledge. 3 volumes. 80 fine colored aquatint plates drawn and etched by Rowlandson. 272, 277, 279pp., tall 8vo, rebound in 3/4 blue crushed morocco, top edges gilt. London: Routledge, no date, ca. 1860. A beautiful set.
London: R. Ackermann, 1812. THREE VOLUMES. The Tour of Doctor Syntax, In Search of the Picturesque. 30 hand-colored plates plus illustrated title page. iii + 275pp. and Directions to the Binder; with, The Second Tour of Doctor Syntax, In Search of Consolation. 24 hand-colored plates. 277pp. and Directions to the Binder; and The Third Tour of Doctor Syntax, In Search of a Wife. 24 hand-colored plates plus illustrated title page. 279pp. and Directions to the Binder. 8vo, 3/4 leather over...
London: R. Ackermann, 1812. 30 hand-colored plates including frontispiece, plus illustrated title page. iii + 275pp. and Directions to the Binder. 8vo, full calf with gilt embelishments & leather spine labels. (London: R. Ackermann's Repository of Arts, 1812), Begun in 1809, and first published in 1812, Dr. Syntax contains Thomas Rowlandson's most famous illustrations. This copy lacks a printed title page, but is apparently a first as there is no indication of its being a later edition on the engraved...