Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray. More
New York: Leon Amiel, 1980. 160pp. with 126 color plates and 128 in b/w, plus 2 original color lithographs, blank on rear. Thin 4to, pink textured boards, d.w. New York: Leon Amiel, (1980). Text pages are a bit toned at edges, otherwise a near fine copy in very good(+) dust wrapper. This copy has an original ink drawing and signed inscription on the front end papers. More
New York: Walker, 1992. 8vo, cloth, d.w. New York: Walker, (1992). First Edition. Autographed on the title page. More
New York: Walker, 1991. 8vo, orange boards, d.w. N.Y.: Walker, (1991). First Edition. Fine. Scrawled autograph of the author on the title page, and with a publicity photo of him laid in. More
London: Chatto & Windus, 1931. Tall 8vo, green cloth, uncut; spine faded. London: Chatto & Windus, 1931. Limited First Edition. One of 210 signed copies. More
New York: Applause, 2009. Illustrated in black & white and color. 265pp. 4to, red boards, pictorial d.w. New York: Applause Theatre & Cinema Books, (2009). A fine copy in a fine dust wrapper. Signed and inscribed by Gerard Alessandrini on endpaper. More
New York: Harper, 1925. 8vo, cloth, d.w. N.Y.: Harper, 1925. First Edition. Inscribed by the author. More
New York: Macmillan, 1900. New Edition, revised with a New Preface & 100 illustrations by Hugh Thomson. 4to, red cloth, paper label; uncut. New York: Macmillan, 1900. Very good (+). Large-paper copy, limited to 100 numbered copies, signed by James Allen. More
Carbondale: Southern Illinois University Press, 1969. 177 pages, 8vo, red cloth with a gilt-lettered spine, dust wrapper (worn and chipped). Carbondale & Edwardsville: Southern Illinois University Press, (1969). A near fine copy in a very good(-) dust wrapper. Inscribed and signed "Marcia" by the editor on the front free endpaper. More
New York: Vantage, 1994. Numerous black and white photographic illustrations. Slim 4to, black cloth, d.w. New York: Vantage, (1994). Fine. Inscribed by the author on the fly-leaf. More
New York: Acanthus, 2001. Profusely illustrated in color & in black & white with photographs and floor plans. Small 4to, green cloth, d.w. New York: Acanthus, (2001). A fine copy in a fine dust wrapper. Inscribed by the author. More
Norwalk: Easton, 1991. Illustrated. 667pp. Thick 8vo, gilt-stamped burgundy leather, a.e.g. Norwalk: Easton Press, (1991). First edition. A fine copy, signed by the author. More
New York: Crown, 1984. Illustrated in color by Beni Montresor. Adapted by Alan Benjamin. 4to, cloth, d.w. New York: Crown, 1984. First Edition. Presentation copy: "For Howard and his family with a kiss from Beni Montresor 1985" More
Santa Fe: Twin Palms, 2002. Illustrated throughout with duotone photographs. Slim 4to, white pictorial boards, matching d.w (a bit yellowed and scuffed on rear panel). Santa Fe: Twin Palms, 2002. Limited first edition - one of 1000 copies, this one signed by Anderson & Low on the limitation page. Near fine in a very good(+) dust wrapper. Based in London, Jonathan Anderson and Edwin Low have worked as the photographic team since 1990. This book features nude photographs of the... More
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube. More
Berkeley: Oyez, 1968. Essays in Tribute and Definition. 8vo, printed wrappers. Oyez, 1968. First Edition. Review copy. Inscribed by the author. Crease in front cover, otherwise fine. More
New York: Abrams, 1979. Color and black and white illustrations throughout. 99pp. Slim square 8vo, purple cloth, d.w. New York: Abrams, (1979). First edition. A fine copy. Inscribed by Arakawa in ink on title page. More
New York: Knopf, 1995. Illustrated with black & white photographs. 289 pages. Short 4to, beige cloth-backed boards, d.w. New York: Knopf, 1995. First Edition. A fine copy in a fine dust wrapper, inscribed by Arnold on a preliminary page. More
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler... More
New York: Viking, 1947. Edited and illustrated with 20 wood engravings by Boris Artzybasheff. 86pp. Thin 8vo, red cloth with paper labels on cover and spine (top of front cover slightly faded and with small white stain below label). New York: Viking Press, 1947. Fifth printing. A very good copy, with a full page original pen and ink drawing and 3 line presentation by the artist on the half-title. More
New York: Viking, 1985. 8vo, cloth backed boards, d.w. New York: Viking, (1985). First Edition. The dust jacket has minor edge- chips & 2 short, closed tears; mylar. Autographed by Ashbery on the title page. More
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A.... More
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a fine dust wrapper. Limited edition -- number 23 of 100 copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered and 50 HC). A catalogue for the Matthew Marks Gallery exhibition, October 14 to November 28, 1992. More
New York: Andre Emmerich, 1959. Photographs by Lee Boltin. Thin 8vo, leather backed marbled boards. N.Y.: Andre Emmerich Gallery, (1959). Limited First Edition. An anthology of poems, and objects of art of the pre-Columbian past. Of 1500 copies printed, this is one of 50, signed by each of the contributing poets, each on a separate blank page. The poets include Theodore Roethke, W. Carlos Williams, W.S. Merwin, Octavio Paz, Louise Bogan & C. Day Lewis. This is No XVI, and... More
New York: Walker, 1982. Illustrated by David Wool. 64p. blue boards, d.w. New York: Walker & Co., (1982). First Edition. More
I received the Charles Dickens biography by Easton Press today and it is very beautiful. Thank you for packing it carefully ....I'll be watching your site for more leather books...
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