Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray.
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New York: Leon Amiel, 1980. Illustrated with 126 color plates and 128 in b/w, plus 2 original color lithographs, blank on rear. 160 pages. Thin 4to, pink textured boards, d.w. New York: Leon Amiel, (1980). Text pages are a bit toned at edges, otherwise a near fine copy in very good(+) dust wrapper. This copy has an original ink drawing and signed inscription on the front end papers.
Carbondale: Southern Illinois University Press, 1969. 177 pages, 8vo, red cloth with a gilt-lettered spine, dust wrapper (worn and chipped). Carbondale & Edwardsville: Southern Illinois University Press, (1969). A near fine copy in a very good(-) dust wrapper. Inscribed and signed "Marcia" by the editor on the front free endpaper.
Santa Fe: Twin Palms, 2002. Illustrated throughout with duotone photographs. Slim 4to, white pictorial boards, matching d.w (a bit yellowed and scuffed on rear panel). Santa Fe: Twin Palms, 2002. Limited first edition - one of 1000 copies, this one signed by Anderson & Low on the limitation page. Near fine in a very good(+) dust wrapper. Based in London, Jonathan Anderson and Edwin Low have worked as the photographic team since 1990. This book features nude photographs of the.....
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
New York: Weyhe, 1956. 28 plates by Weston. 102pp., very small stain on fore edge, not affecting the margins. Square 4to, black cloth (extremities of spine rubbed and worn), d.w. is present, but tattered and in pieces. New York: Weyhe, (1956). First Edition. Very good(+). Inscribed on the fly-leaf by the author "Merle & Isabell"
New York: Knopf, 1983. Numerous color photographic illustrations. Oblong 4to, glossy blue boards, d.w. (wrapper yellowed and a bit mis-aligned; small dampstain at foot). New York: Alfred Knopf, 1983. First Edition. A near fine copy in a very good(-) dust wrapper . Signed on the fly-leaf by the photographer.
New York: Artists Equity Association, 1959. Slim folio with title page plus 27 illustrated sheets, EACH SIGNED and loose as issued, in a tattered printed paper wrappers. New York: Artists Equity Association, 1959. A limited edition portfolio - Volume X in the publisher's series on American artists. First edition. Overall a very good copy with rough cover but clean plates. A unique copy as all 27 of the artists have signed their respective pages in ink or pencil: Samuel Adler.....
New York: Viking, 1947. Edited and illustrated with 20 wood engravings by Boris Artzybasheff. 86pp. Thin 8vo, red cloth with paper labels on cover and spine (top of front cover slightly faded and with small white stain below label). New York: Viking Press, 1947. Fifth printing. A very good copy, with a full page original pen and ink drawing and 3 line presentation by the artist on the half-title.
New York: Matthew Marks Gallery, 1992. Illustrated with 29 b/w line drawings on pale cream background. Slim 4to, white cloth, d.w. (toned at edges and with one 2" triangular chip missing from upper corner). New York: Matthew Marks Gallery, 1992. Limited first edition; quite scarce. A fine copy in a very good dust wrapper. Limited edition -- one of 50 "HC" copies signed by Kelly & Ashbery (colophon states that there were 150 signed copies, with 100 being numbered). A......