Lawrence: Helen Foresman Spencer Museum of Art, 1980. Calligraphy by Kwan S. Wong. Color frontispiece and many other black-and-white illustrations. 145 pages, slim 4to, printed wrappers (spine gently edge-worn; glued binding slightly brittle as usual). Lawrence, Kansas: The Helen Foresman Spencer Museum of Art, (1980). A very good copy.
Leipzig: Tauchnitz, 1891. Frontispiece portrait of the author with tissue guard. 246 pages, 12mo, gorgeous Florentine vellum binding with ornate gilt stamping and dark green leather label and panels, beveled edges, metallic filigree endpapers. Boston: Roberts Brothers, 1891. A near fine copy. An adaptation of the Lalitavistara Sutra. Binder's label on preliminary page.
London: John Murray, 1904. 816 pages, very thick 8vo, red cloth gilt stamped with Chinese and English text (soiled) foxing to page edges, and first few pages rest of text block clean. A very good(-) copy. Fourth edition revised and enlarged. Covers a large variety of topics, from cannibalism to embroidery, marriage to pawnshops, rice to zoology, all arranged alphabetically.
New York: Metropolitan Museum of Art, 1993. Profusely illustrated with both black and white and color paintings and calligraphy from the "Classic of Filial Piety" or Hsiao Ching. 176 pages, slim 4to, tan cloth, dust wrapper (wrapper sunned on spine and back panel slightly rubbed). New York: Metropolitan Museum of Art, 1993. A fine copy in a near fine dust wrapper.