Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne.
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Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala.
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen. New York; ACA Gallery Publications, 1938. First Edition. Very good(+). + 2 exhibition catalogues from the Associated American Artists Galleries, 1944 and the other undated, ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in.
Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, a touch faded at edges, d.w. (small tear on back cover). Boston: New York Graphic Society, 1979. First edition. A near fine copy in a very good(+) dust wrapper.
Charlottesville: University Press of Virginia, 1981. Many illustrations throughout. 411 pages. Short thick 4to, brown cloth (faded at edges and d.w chiiped). Charlottesville: University Press of Virginia, (1981). First Virginia edition. A very good solid copy in a good dust wrapper. Wendell Garret's copy, with his ink stamp on endpaper.