Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
Riga: Neputns, 2009. Text in Latvian. Profusely illustrated in color throughout. 399 pages. 4to, pictorial boards. (Riga): Neputns, (2009). A near fine copy with a touch of edgewear. Inscribed by author on half-title page. More
New York: 1936. Introduction by Arthur Pope. Illus, 172pp. 4to, cloth. New York, (1936). More
Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala. More
Uppsala: Vilhelm Ekmans Universitetsfond, 1922. Hundreds of black & white illustrations throughout the text, 7 maps. 282pp., tall 8vo, original stiff printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1922). First Edition. Very good (+). More
Uppsala: Vilhelm Ekmans Universitetsfond, 1923. Many black & white illustrations throughout the text. 166pp., tall 8vo, original printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1923). First Edition. A fine copy but for a small chip on the back cover. More
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
New York: Knopf, 1981. 363pp. 8vo, cloth- backed boards, d.w. New York: Knopf, 1981. Very good. More
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen spine darkened, worn at corners. New York; ACA Gallery Publications, 1938. First Edition. A very good copy. Includes 2 exhibition catalogs from the Associated American Artists Galleries from 1994 and ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in. More
Milan: Electa, 1990. Illustrated with b/w images throughout. 166 pages. Square 4to, navy cloth, d.w. (Milan): Electa, (1990). A fine copy in a near fine dust wrapper, slight scuffing to front cover. Scarce. More
Athens: Archaeological Receipts Fund, 1998. Illustrated with color images of icons throughout. 303 pages. 4to, orange cloth, d.w. Athens: Archaeological Receipts Fund, 1998. A near fine copy but with a small dampstain near foot; wrapper is very near fine with light edgewear. More
New York: Neues, nd. With a text by Moritz von Ulsar. Profusely illustrated in color and black & white. Tall 4to, blue pictorial boards, dust wrapper. New York: Neues Publishing Company. Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
Havana: Museo Nacional de Bellas Artes, 2002. Text in Spanish. Illustrated with b/w and some color images. 47 pages. Slim 4to, pictorial wrappers. Havana: Museu Nacional de Bellas Artes, 2002. A very good(+) copy, scuffing to covers. More
Hoboken: John Wiley & Sons, 2009. Some illustrations, a few in color. 242 pages. 8vo, black boards, d.w. (Hoboken): John Wiley & Sons, (2009). First edition. Pages are uniformly toned, else a near fine in near fine dust wrapper. More
Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, a touch faded at edges, d.w. (small tear on back cover). Boston: New York Graphic Society, 1979. First edition. A near fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper. More
Boston: New York Graphic Society, 1975. Illustrated with 25 color plates and 78 in black & white. Slim 4to, yellow cloth, d.w. Boston: New York Graphic Society, (1975). First edition. A fine copy in a near fine dust wrapper. More
London: Faber & Faber, 1981. Illustrated in color & in black & white, 8vo, cloth, d.w., board slipcase. London: Faber and Faber, (1981). Fine. More
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper. More
New York: Viking, 1980. Black & white illustrations. 253 pages. 4to, black cloth, dust wrapper. New York The Viking Press, (1980). First edition. A fine copy in a near fine dust wrapper. More
I wanted to let you know that the Lehár autograph quotation arrived safe and sound having made its transatlantic journey without any problems. It’s a beautiful thing, and I can’t wait to get it up on the wall. I’m absolutely delighted with it – thank you!
Thanks for the help. You are one of 'The Last of the Good Guys'...