Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
Riga: Neputns, 2009. Text in Latvian. Profusely illustrated in color throughout. 399 pages. 4to, pictorial boards. (Riga): Neputns, (2009). A near fine copy with a touch of edgewear. Inscribed by author on half-title page. More
New York: 1936. Introduction by Arthur Pope. Illus, 172pp. 4to, cloth. New York, (1936). More
Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala. More
Uppsala: Vilhelm Ekmans Universitetsfond, 1922. Hundreds of black & white illustrations throughout the text, 7 maps. 282pp., tall 8vo, original stiff printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1922). First Edition. Very good (+). More
Uppsala: Vilhelm Ekmans Universitetsfond, 1923. Many black & white illustrations throughout the text. 166pp., tall 8vo, original printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1923). First Edition. A fine copy but for a small chip on the back cover. More
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
New York: Knopf, 1981. 363pp. 8vo, cloth- backed boards, d.w. New York: Knopf, 1981. Very good. More
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen. New York; ACA Gallery Publications, 1938. First Edition. Very good(+). + 2 exhibition catalogues from the Associated American Artists Galleries, 1944 and the other undated, ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in. More
Milan: Electa, 1990. Illustrated with b/w images throughout. 166 pages. Square 4to, navy cloth, d.w. (Milan): Electa, (1990). A fine copy in a near fine dust wrapper, slight scuffing to front cover. Scarce. More
Athens: Archaeological Receipts Fund, 1998. Illustrated with color images of icons throughout. 303 pages. 4to, orange cloth, d.w. Athens: Archaeological Receipts Fund, 1998. A near fine copy but with a small dampstain near foot; wrapper is very near fine with light edgewear. More
New York: Neues, nd. With a text by Moritz von Ulsar. Profusely illustrated in color and black & white. Tall 4to, blue pictorial boards, dust wrapper. New York: Neues Publishing Company. Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
Havana: Museo Nacional de Bellas Artes, 2002. Text in Spanish. Illustrated with b/w and some color images. 47 pages. Slim 4to, pictorial wrappers. Havana: Museu Nacional de Bellas Artes, 2002. A very good(+) copy, scuffing to covers. More
Hoboken: John Wiley & Sons, 2009. Some illustrations, a few in color. 242 pages. 8vo, black boards, d.w. (Hoboken): John Wiley & Sons, (2009). First edition. Pages are uniformly toned, else a near fine in near fine dust wrapper. More
Boston: New York Graphic Society, 1979. Introduction by Paul Brooks. Frontispiece and 115 other black & white photographs, mostly full-page. Slim oblong folio, two-toned cloth, a touch faded at edges, d.w. (small tear on back cover). Boston: New York Graphic Society, 1979. First edition. A near fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper. More
London: Faber & Faber, 1981. Illustrated in color & in black & white, 8vo, cloth, d.w., board slipcase. London: Faber and Faber, (1981). Fine. More
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper. More
New York: Viking, 1980. Black & white illustrations. 253 pages. 4to, black cloth, dust wrapper. New York The Viking Press, (1980). First edition. A fine copy in a near fine dust wrapper. More
Washington: National Gallery of Art, 1976. Many Illus., some in color. 411pp. 4to, pr. wrs. Washington: National Gallery of Art, 1976. Very good. More
Charlottesville: University Press of Virginia, 1981. Many illustrations throughout. 411 pages. Short thick 4to, brown cloth (faded at edges and d.w chiiped). Charlottesville: University Press of Virginia, (1981). First Virginia edition. A very good solid copy in a good dust wrapper. Wendell Garret's copy, with his ink stamp on endpaper. More
THANK YOU for the recent order you sent me! It arrived in perfect condition due to your excellent packing. The books are wonderful! Especially valued are the old Roman Catholic books with dust wrappers! Thanks so much.
Dear Judith, Vol. 1 received, very pleased with it, particularly as it completes a set which came in with that volume missing!