Wilfedo Lam
Paris: Galerie Fabien Boulaki, 1985. 19 illustrations, in both color and black and white. Tall, thin pictorial wrappers. Paris: Galerie Fabien Boulakia, (1985). Near fine., Text in both English and Frrench. More
Paris: Galerie Fabien Boulaki, 1985. 19 illustrations, in both color and black and white. Tall, thin pictorial wrappers. Paris: Galerie Fabien Boulakia, (1985). Near fine., Text in both English and Frrench. More
Paris: Centre Georges Pompidou, 1982. Profusely illustrated, including many full-page color plates. 420 pages with text in French. Square 4to, pictorial wrappers; light wear at spine ends. (Paris: Centre Georges Pompidou, 1982). First edition. A very good(+) copy. Exhibited at Centre Georges Pompidou & Musee National d'Art Moderne. More
New York: 1936. Introduction by Arthur Pope. Illus, 172pp. 4to, cloth. New York, (1936). More
Cambridge: W. Heffer & Sons, 1926. Numerous illustrations throughout the text. 219 pages. Ttall 8vo, original gray printed wrappers; lightly soiled and edgeworn. Cambridge: W. Heffer & Sons, (1926). First Edition. A very good copy. With the small ownership signature of art historian Meyer Schapiro. Vilhelm Ekmans Universitetsfond, Uppsala. More
Uppsala: Vilhelm Ekmans Universitetsfond, 1922. Hundreds of black & white illustrations throughout the text, 7 maps. 282pp., tall 8vo, original stiff printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1922). First Edition. Very good (+). More
Uppsala: Vilhelm Ekmans Universitetsfond, 1923. Many black & white illustrations throughout the text. 166pp., tall 8vo, original printed wrappers. Uppsala: Vilhelm Ekmans Universitetsfond, (1923). First Edition. A fine copy but for a small chip on the back cover. More
Quebec: 1986. Many color illustrations. 4to, black boards. (Quebec: Laurenceau, 1986). Near Fine. Scarce. More
New York: Knopf, 1981. 363pp. 8vo, cloth- backed boards, d.w. New York: Knopf, 1981. Very good. More
New York: ACA Gallery Publications, 1938. Profusely illustrated in black & white. Slim 4to, pictorial linen. New York; ACA Gallery Publications, 1938. First Edition. Very good(+). + 2 exhibition catalogues from the Associated American Artists Galleries, 1944 and the other undated, ca. 1945. Inscribed and dated on the fly-leaf with an additional hand written signed invitation to a neighbor laid in. More
New York: Neues, nd. With a text by Moritz von Ulsar. Profusely illustrated in color and black & white. Tall 4to, blue pictorial boards, dust wrapper. New York: Neues Publishing Company. Fine. More
Boston: Museum of Fine Arts, 2008. Over 100 illustrations mainly in color. Small square 4to, stiff pictorial wrappers. Boston: Museum of Fine Arts, (2008). Fine. More
Waterville: Colby College Museum of Art, 2005. Many Plates. Thin 4to, pr. wrs. Waterville, ME: Colby College Museum of Art, (2005). Fine Laid in is a autographed note signed by Terry Winters to Nan (Rosenthal). Exhibition catalogue. More
Cologne: Taschen, 1999. All of Blossfeldt's stunning black-and-white photographs from his three books plus 30 additional plates. 359 pages, folio, green printed boards, d.w.; minor wear along bottom edge of dust wrapper. Koln: Taschen, (1999). A near fine copy in a very good(+) dust wrapper. Contains the complete texts and plates from Blossfedlt's Art Forms in Nature; Magic Garden of Nature; and Magic in Nature; plus 30 generally unknown plates. Text in English, French, and German. More
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
Albuquerque: University of New Mexico Press, 1983. Many illustrations, some in color. 228pp. 4to, maroon cloth, d.w. Albuquerque: University of New Mexico Press, (1983). First edition. A fine copy in a near fine dust wrapper. More
London: Faber & Faber, 1981. Illustrated in color & in black & white, 8vo, cloth, d.w., board slipcase. London: Faber and Faber, (1981). Fine. More
Oxford: Oxford University Press, 2005. Illustrated in black and white. 583 pages, small 4to, grey cloth backed boards, dust wrapper. Oxford: Oxford University Press, (2005). A fine copy in near fine dust wrapper. More
New York: Abrams, 1992. 321 illustrations, including 33 full color plates. 332pp., 8vo, grey cloth, d.w. New York: Harry N. Abrams, (1992). A fine copy in a near fine dust wrapper. Based on the BBC series created by Peter Adams. More
New York: Viking, 1980. Black & white illustrations. 253pp. Folio, cloth, dust wrapper. N.Y: The Viking Press, (1980). Near fine copy in a near fine d.w. More
Washington: National Gallery of Art, 1976. Many Illus., some in color. 411pp. 4to, pr. wrs. Washington: National Gallery of Art, 1976. Very good. More
Charlottesville: Thomas Jefferson Memorial Foundation, 1992. Many Illus., some in color. 411pp. 4to, maroon cloth, d.w. Charlottesville: Thomas Jefferson Memorial Foundation, (1992). Fine. More
New York: Donald Hutter, 1990. Prefaces by Friz Freleng and Chuck Jones. Illustrated throughout in color and b/w. 192pp. Wide 4to, grey boards, d.w. New York: Donald Hutter, (1990). First edition. A near fine copy in a fine dust wrapper. More
Philadelphia: University of Pennyslvania, 1940. 101 illus. 67pp. 4to, buckram, d.w. Philadelphia: University of Pennsyvania Press, 1940. More
New York: China Institute, 1999. With Contributions by Kenneth J. DeWoskin and Mitchell Clark. 143pp., tall thin 8vo, glossy pictorial wrappers; very minor bump to lower front corner. New York: China Institute Gallery, 1999. A near fine copy. Catalog produced to accompany "The Resonance of the Qin in East Asian Art", September 17-December 12, 1999. More
As an Interior Decorator I am on the constant lookout for source material for my clients. I recently completed a Studio pied a terre in the Georgian period for Mr. David Brown at Lincoln Center. That is, we were almost finished with only the artwork to be designed and purchased. I have a passion for antique architectural prints and I can't believe that I didn't know about Argosy Books. After all Designers don't really like to share their finds with others. I was in a cab, looking out the window as we passed by Argosy Books and noticed a fine selection of framed prints hanging in the window. I had found my oasis! I now head first to Argosy for all my print work and framing. What a treasure and a real lifesaver for design business! Thanks eternal.
Dear Judith, Vol. 1 received, very pleased with it, particularly as it completes a set which came in with that volume missing!