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Toronto: University of Toronto Press, 1996. Illus. Small 4to, pr. wrs. Toronto: University of Toronto Press, (1996). Fine Presentation copy from one of the editors, John O'Brian, to Nan (Rosenthal). From the library of Nan Rosenthal, who was a curator of modern art at the Metropolitan Musuem of Art and National Gallery of Art, with her ownership signature.
Los Angeles: Museum of Contemporary Art, 2002. Essays by Paul Schimmel, Richard Shiff and Anne M. Wagner. 124 color plates, 6 black-and-white illustrations. 199pp., folio, d.w. Los Angeles. Museum of Contemporary Art, Los Angeles, (2002). A fine copy in a near fine dust wrapper. Published to accompany the exhibition: Willem de Kooning: Tracing the Figure.
1973. Jacques Damase, Bruxelles, 1973. Softcover. Folio (14 x 10 1/2") with lithograph, 31 1/4 x 13 3/4". Lovely gallery publication. Includes large folded lithograph, glassine title page, 24 loose pages, as issued. Published on the occasion of a 1973 exhibition of Robert Delaunay's artwork at the Jacques Damase Gallery in Brussels. Original glassine partly creased and torn. Spine of stiff paper portfolio creased and scuffed. Library number taped on spine. Library card pasted into back cover. Text in French...
New York: L & M Arts, 2007. 20 full-page color plates, additional illustrations. 79 pages. Folio, natural cloth-backed boards with photographic portrait of De Kooning inset front cover. New York: L & M Arts, (2007). Upper front corner dented, otherwise a near fine copy. With contributions by Mart Stevens and Annalyn Swan, Jill Weinberg Adams, Tom Ferrara, and Ed McCormack.
New Have: Yale University Press, 2002. Well illustrated in both color and black-and-white. 583 pages, thick 4to, black cloth, d.w.; dust wrapper torn at head of spine. New Haven: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press, (2000). Dampstained at foot of cloth, barely visible. A very good(-) copy in a good dust wrapper.
New York: Abrams, 1989. Profusely illustrated with 429 plates, including 262 in color. 448 pages. Very thick square 4to, pictorial cloth, printed mylar wrapper (scuffed and a partially opaque but untorn). New York: Abrams, (1989). First edition. A near fine copy in a very good(+) wrapper, signed by the artist on the title page.