New York: Museum of Modern Art, 2012. 489 color reproductions. 376 pages, 4to, pink cloth with red type. New York: Museum of Modern Art, (2012). A fine copy.
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Paris: Weber, 1973. Illustrated in both color and black-and-white. 53pp., tall thin 8vo, decorative printed wrappers; some wear to the spine. Paris: Galerie de France et Weber, (1973). A very good copy.
Pittsburgh: Museum of Art, Carnegie Institute, 1977. Many color and b/w illustrations throughout. 4to, pictorial wrappers; very minor bumping at ends. (Pittsburgh): Museum of Art, Carnegie Institute, (1977). Near fine. Exhibition catalogue.
New York: AMERINGER YOHE FINE ART, 2004. Illustrated in color. 31 pages, pictorial boards, slim oblong 8vo. New York: Ameringer Yohe Fine Art, 2001. A fine copy.
New York: AMERINGER YOHE FINE ART, 2003. Illustrated in color. 32 pages, blue cloth spine over tan boards, slim oblong 8vo. New York: Ameringer Yohe Fine Art, 2003. A fine copy.
Moscow: Gallery Shkola, 2008. 51 full-page color plates. 123pp., thin 4to, black boards. Moscow: Gallery Shkola, (2008). A near fine copy. Text in Russian and English.
Toronto: University of Toronto Press, 1996. Illus. Small 4to, pr. wrs. Toronto: University of Toronto Press, (1996). Fine Presentation copy from one of the editors, John O'Brian, to Nan (Rosenthal). From the library of Nan Rosenthal, who was a curator of modern art at the Metropolitan Musuem of Art and National Gallery of Art, with her ownership signature.
Milan: Skira, 1995. 85 full-page color plates, plus additional illustrations. 308 pages with text in German, Italian & French. 4to, printed, pictorial wrappers. Milano: Skira, (1995). A very good copy (+).
Munich: Prestel, 2010. Many Illus., mostly in color. 286pp. 4to, black boards, d.w. Munich: Prestel, (2010). Fine Exhibition catalogue.
New York: Wittenborn, Schultz, Inc., 1948. Cover and typography by Paul Rand. Illustrated in b/w and color, with tipped-in frontispiece in b/w. 49pp. Slim 4to, black printed wrappers. New York: Wittenborn, Schultz, Inc., 1948. A near fine copy.
Cleveland: Cleveland Museum of Art, 1992. Many Illus., mostly in color. Square 4to, glossy pictorial wrappers. Cleveland: Cleveland Museum of Art, 1992. A bit bumped at head, else a near fine copy. Exhibition catalogue of the still lifes by Picasso.
New Haven: Yale University Press, 2006. Many color plates. B/w text Illus. 4to, blue cloth, d.w., right margins throughout are slightly wavy. New Haven: Yale University Press, (2006). A near fine copy in a fine dust wrapper. Exhibition catalogue.
London: Headline, 1990. Illustrated in color and black and white. 192 pages, 4to, black boards, dust wrapper. London: Headline, (1990). A near fine copy in a near fine dust wrapper. London: Headline, (1990).
Buffalo: Buffalo Fine Arts Academy, 1972. Illustrated in color and black and white. 152 pages, slim 4to, printed wrappers. Buffalo: Buffalo Fine Arts Academy, (1972). A very good(+) copy.
Los Angeles: Museum of Contemporary Art, 2002. Essays by Paul Schimmel, Richard Shiff and Anne M. Wagner. 124 color plates, 6 black-and-white illustrations. 199pp., folio, d.w. Los Angeles. Museum of Contemporary Art, Los Angeles, (2002). A fine copy in a near fine dust wrapper. Published to accompany the exhibition: Willem de Kooning: Tracing the Figure.
Gottingen: Steidl, 2007. Illustrated in color. 147 pages, 4to, brown and white cloth, dust wrapper. Gottingen: Steidl, 2007. A fine copy in a fine dust wrapper. Published on the occasion of the exhibition: Ken Price: Sculpture and Drawings 1962-2006.
New York: L & M Arts, 2007. 20 full-page color plates, additional illustrations. 79 pages. Folio, natural cloth-backed boards with photographic portrait of De Kooning inset front cover. New York: L & M Arts, (2007). Upper front corner dented, otherwise a near fine copy. With contributions by Mart Stevens and Annalyn Swan, Jill Weinberg Adams, Tom Ferrara, and Ed McCormack.
New York: Lawrence Rubin, 1999. Exhibition Catalogue February 18 - March 20, 1999. 49 pages, slim 4to, stiff pictorial wrappers. New York: Lawrence Rubin 1999. Fine.
Brussels: Jacques Damase, 1975. 15 mounted color plates, more than 100 illustrations in black and white. xxxii + 155pp., large 8vo, glossy, pictorial boards. Bruxelles, Jacques Damase, (1975). Internally fine, a very good(+) copy.
New York: Universe Books, Inc., 1958. Translated by Arnold Rosin. Illustrated with numerous mounted color plates. 181 pages, large 8vo, yellow pictorial cloth (spine slightly darkened), mylar sleeve. New York: Universe Books, Inc., (1958). A very good(+) copy.
Ure Smith Sydney. With an introduction by Paul Haefliger. Illustrated with 12 plates in color and 24 in b/w. 68pp. Slim oblong 4to, black cloth (rubbed and edgeworn), d.w. (edgeworn and torn). N.P.: Ure Smith Sydney, n.d. (circa 1960). A good copy in a good dust wrapper.
New York: Abrams, 1989. Profusely illustrated with 429 plates, including 262 in color. 448 pages. Very thick square 4to, pictorial cloth, printed mylar wrapper (scuffed and a partially opaque but untorn). New York: Abrams, (1989). First edition. A near fine copy in a very good(+) wrapper, signed by the artist on the title page.
Paris: Pierre Terrail, 1991. Illustrated in color. 223 pages, 4to, pictorial self wrappers. Paris: Pierre Terrail, (1991). A near fine copy.
New York: Pace Gallery, 2015. 28 color plates, one folding. Text by Jonathan Fineberg. 4to, pictorial boards; very minor bumping to upper corners New York: Pace Gallery 2015. A fine copy.
New York: Hudson Hills Press, 1998. Illustrated in b/w throughout plus 48 full-page color plates. 168pp.