Detroit: Detroit Institute of Arts, 1983. Illustrated throughout in color and black & white. 411pp. Thick & wide 4to, stiff pictorial wrappers. Detroit: Detroit Institute of Arts, 1983. Slightly worn near spine, still a very good copy. Catalog for a traveling exhibition at The Detroit Institute of Arts (October 3 - November 22, 1981), The National Gallery of Canada in Ottawa (December 4, 1981 - January 31, 1982), and Kunstammlungen der Veste Coburg (July 18 - August 5, 1982)... More

New York: Metropolitan Museum of Art, 1977. Illustrated with woodcuts by Raoul Dufy. 30 full-page woodcuts & other vignettes. Unpaginated. Thin folio, cream-colored linen, in board slipcase with pictorial paper label (some sunning to case). New York: The Metropolitan Museum of Art, 1977. A fine copy in a very good(+) slipcase. Reprint of the 1911 edition with new English translations and foreword. These woodcuts are considered among Dufy's best work. More

New York: Associated, 1972. Illustrated profusely in b/w. 88pp, plus 6 pages of extra illustrations. Small thin 4to, paper wrappers (small sticker on top corner of front cover, back cover has some small stains). New York: Associated American Artists, 1972. Catalogue from the exhibition on March 20 - April 15, 1972. More

Munich: Maximilian, 1990. 23 woodcuts. Tall, thin 8vo, highly decorative pictorial wrappers. Munchen: Maximilian, 1990. A fine copy. More

Sussex: Dominic's Press, 1920. With an Introduction, Appendix and Illustrations by Eric Gill. 31 in-text woodcut figures. viii, 40pp. Short slim 8vo, 1/4 cloth over brown printed boards (a little edgeworn and dusty; front endpaper toned and with ghost of old inscription, otherwise quite clean). Ditchling, Sussex: S. Dominic's Press, 1920. A very good(+) copy of this scarce book. More

New York: Limited Editions Club, 1986. Introduction by Robert Coles. Illustrated with full-page black & white wood engravings by Fritz Eichenberg. 262pp. Large 4to, brown morocco-backed natural cloth, board slipcase. New York: The Limited Editions Club, 1986. A fine copy in a fine box. Limited edition. One of 1000 copies, signed by the artist. More

Chicago: Cherryburn Press, 1943. Containing 24 loose impressions with individually titled mats, printed directly from the original wood blacks engraved by Thomas Bewick. The first vignette is neatly signed in pencil by R. Hunter Middleton who published the book. 12mo, portfolio, cloth backed patterned boards, black leather spine label, black slipcase. Chicago: Cherryburn Press, 1943. Near Fine. Previous owners ex-libris. More

London: Dent, 1928. Illustrated in b/w drawings. 263 pages. 4to, beige cloth. London: Dent, 1928. A very good(-) solid copy with heavy foxing to both panels, sunned spine; lacking dust wrapper, internally clean. More

Boston: Book and Art Shop, 1957. 187pp., many illustrations, about half in color. Folio, pictorialy stamped tan cloth, d.w. Boston Book and Art Shop, (1957). Very Good. More

Bloomington: Indiana University Art Museum, 1979. Written in collaboration with James T. Kenny and Fumiko Togasaki. Illustrated throughout in black & white. 184pp. Wide 4to, stiff pictorial wrappers. Bloomington: Indiana University Art Museum, 1979. Slightly sunned, still a very good(+) copy. Published in conjunction with an exhibition coordinated by Pamela Buell at the Indiana University Art Museum from February 25 - March 25, 1979. More

Frankfurt: Ars librorum, 1964. Text in German. Nine black & white woodcuts by Imre Reiner. 85pp. 8vo, pictorial boards. (Frankfurt: Ars Librorum, 1964). Stained boards, still a very good copy. More

Milan: Electa, 1972. 201 illustrations, many in color. 217pp., folio, decorative boards, d.w.; minor wear at spine ends of dust wrapper. Milano: Electa, (1972). A near fine copy in a very good dust wrapper. More

London: Dent, 1930. Text arranged and woodcuts by Thomas Derrick. 100pp., tall 8vo, blue cloth; a few pages with some browning in the gutter or edges. London & Toronto: J. M. Dent and Sons, (1930). A very good copy. More