London: Arts Council of Britain, 1978. Profusely illustrated in black & white and color. 506pp., folio, stiff pictorial gray wrappers (edges slightly rubbed). (London): Arts Council of Great Britain, 1978. First Edition. Very good (+). Published in association with the exhibition held at the Hayward Gallery, London from 11 January to 27 March 1978.
Refine search resultsSkip to search results
New York: Rizzoli, 2004. With the assistance of Montse Aguer. More than 200 full page color plates, many other illustrations in both color and black & white. 607pp., thick 4to, black cloth, d.w. New York: Rizzoli, in Association with the Philadelphia Museum of Art, (2005). First edition. A fine copy in a very good (+) dust wrapper.
New York: Rizzoli, 1994. 121 illustrations, mostly color. 128 pages. Slim 4to, cream boards, d.w. New York: Rizzoli, 1994). First American edition. Shallow dent in front cover, else fine in fine dust wrapper.
New York: Hugh Lauter Levin Associates, 1988. Lavishly illustrated in color with the artist's paintings, drawings, and prints. 327pp. 4to, navy cloth, dust wrapper. New York: Hugh Lauter Levin Associates, Inc., (1988). First American edition. A near fine copy in a near fine dust wrapper. Selection and catalogue by Marina Bessonova. Designed by Mikhail Anikst and Kirill Selvinsky. Translated from the Russian by John Crowfoot and Alex Miller.
New York: Braziller, 1995. Introduction by John Russell. 214 color plates. Thick square 4to, orange cloth, d.w.; publisher's blue cloth slipcase. New York: Braziller, (1995). First Edition. The first comprehensive overview of this important American artist. Presentation copy, signed in red, orange green and blue ink.
New York: Oxford University Press, 1971. With a few black & white illustrations. 289pp, 8vo, brown cloth, corners bumped, cloth lightly soiled, spine sunned. New York: Oxford University Press, 1971.
Munich-New York: Schellamnn, 1997. Edited by Jorg Schellamnn. Over 500 illustrations in color & in black and white. 555 pages, thick tall 4to, gray cloth, d.w. Munich and New York: Schellmann, (1997). A fine copy in a fine dust jacket.
Warsaw: M. M. Art Books, 1994. Signed. Illustrated throughout in color. 142pp. Tall & slim 4to, stiff wrappers, scuffed d.w. Warsaw: M. M. Art Books, (1994). Edges slightly sunned, still a near fine copy in a very good(+) dust wrapper. A scarce book. Signed and dated by Ryszard Horowitz on the title page.
New York: Independent Curators, 1996. 101 works illustrated in color, mostly full page plates. 175pp., 4to, stiff, pictorial wrappers. New York: Independent Curators, (1996). A fine copy.
Brussels: Cosmos, 1975. 335 color and black and white illus., 352pp., thick 4to, white cloth, d.w. Bruxelles, Lausanne and Paris: Cosmos, (1975). Fine. Text in French. Catalogue de l'Oeuvre Peint.
Munich: Prestel, 1993. Extensively illustrated in both color and black & white. 373pp., 4to, stiff, pictorial wrappers. Introductory Essay by Werner Spies, preface by Walter Hopps. Munich: Prestel, (1993). A near fine copy.
New York: Guggenheim Museum, 1970. With more than 100 black and white illustrations. 164 pages. Small slim 4to, pictorial wrappers. New York: Solomon R. Guggenheim Museum, 1970. First softcover edition. Pages are a bit yellowed at margins , else a near fine copy.
Milan: Editoriale Domus. Illustrated with 166 plates, including 13 in color. 164 pages with text in Italian. Folio, rebound in green cloth with leather spine label; original pictorial boards bound-in. [Milano]: Editoriale Domus, no date circa 1939. A very good copy.
New York: Blain Di Donna, 2012. 29 works reproduced in full color. 103pp., 4to, yellow cloth with inlaid color plate front cover. New York: Blain Di Donna, (2012). A near fine copy.
Cambridge, Ma. The MIT Press, 1997. Profusely illustrated in black & white.344pp. 8vo, cloth, dust wrapper. Cambridge, Ma.: The MIT Press, (1997). Near fine.
New York: Eykyn Maclean, 2003. Extensively illustrated. 119pp., tall, thin 8vo, grey cloth with inlaid color plate on front cover. New York: Eykyn Maclean, (2013). A near fine copy. Chapters by various authors.
8vo, cloth, d.w.; (d.w. worn). Hanover: University Press of New England, 1981. Very good.
Ann Arbor: UMI Research Press, 1980. Includes 101 b/w illustrations at back. 245pp. 8vo, beige cloth. (Ann Arbor: UMI Research Press, 1980). A fine copy. Studies in the Fine Arts: The Avant-Garde, No. 1.
New York: Gemor, 1942. Including the cover, there are 3 mounted plates by Andre Masson. Unpaginated. Tall slim 8vo, original black wrappers with paper spine label (rubbed; head of spine chipped; partial loss to spine label). New York: Gemor Press, 1942. First A very good copy of this scarce book featuring the prose & poetic work of American surrealist Hugh Chishom . Limited edition of 500 copies, set by Hand. The Gemor Press was founded by Anais Nin, and very...
Milan: Ciranna, 1969. 12 page introduction by Cesare Vivaldi. 174 black and white illustartions. Folio, green cloth (rear cover and top edge of front cover dampstained, slightly effecting first blank page and the fore-edges). Milano: Alfonso Ciranna & Rome: Edizioni La Medusa, (1969). Limited edition -- number 641 of 1500 numbered copies. Overall a good usable copy.
Geneva: Cosmopress, 1988. In French. Profusely illustrated in color. 31 pages, slim oblong 4to, pictorial wrappers. Geneva: Galerie Isy Brachot, 1988. Very good.
New York: Knopf, 1978. Profusely illustrated in b/w & color, slim 4to, burgundy cloth, dust wrapper; red remainder mark lower edge. New York: Knopf, 1978. A very good (+) copy in a very good dust wrapper.fine copy in a near fine dust wrapper.
New York: Mallard, 1991. Translated by Carol Marshall. 112 full color and 297 black & white illustrations. 259 pages. 4to, cream cloth, d.w. New York: Mallard Press, (1991). A fine copy in a very good(+) dust wrapper.
Koln: Buchhandlung Walther Konig, 1995. Profusely illustrated in b/w. Not paginated. 4to, printed wrappers, glassine dust covers. Koln: Buchhandlung Walther Konig, 1995. A fine copy.
Milan: Mazzotta, 1991. Profusely illustrated in color & in black & white. Square 4to, stiff pictorial wrappers. (Milano): Mazzotta, (1991). Very good(+).