New York: 1929. Illustrated, 12mo, cloth. N.Y., 1929. A very good copy.
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New York: Wittenborn, 1961. With 172 black & white illustrations. 164pp. Slim square 4to, white cloth, d.w. New York: Wittenborn and Company, (1961). First edition. A fine copy in a very good dust wrapper.
Melun: Lbrairie d'Argences, 1948. Numerous photographic illustrations, rubricated title. Slim 4to, original tan printed wrappers (spine repaired). Melun: Librairie d'Argences, 1948. Very good (-). With the small ownership signature of art historian Meyer Schapiro.
New South Wales: Craftsman House, 1996. Double-page title page image; illustrated profusely in color and black and white. 226 pages, short 4to, neon orange boards with silver stamping, dust wrapper. New South Whales: Craftsman House in association with G+B Arts International. A near fine copy in a near fine dust wrapper.
New York: Denise rene, 1971. Extensively illustrated, primarily in black & white, several transparent overlays. 8vo, glossy pictorial wrapper.New York: Galerie Denise Rene, 1971. A very good copy.
Neuchatel: Griffon, 1962. All texts by the artist, translated from the French. Illustrated throughout, a few in color; musical record in pouch at rear. 129pp. Slim 4to, white-lettered gray cloth, d.w. Neuchatel: Editions du Griffon, 1962. First edition. A fine copy in a fine dust wrapper, inscribed by the artist on the title page. the Sculpture of the Twentieth Century. A collection edited and published by Marcel Joray.
New York: Walker and Company, 1967. 79 illustrations. Square 8vo, pr. wrs., wrappers lightly soiled, otherwise very good. New York: Walker & Company, (1967).
Navarra: Taller Macla, 1990. Profusely illustrated with large color photographs. 117pp with text in English. 4to, stiff glossy pictorial wrappers. Navarra: Taller Macla, . A fine copy of this handsome catalogue, with a lengthy inscription and small drawing on a preliminary page. Scarce. Fine.
New York: Abrams, 1969. 71 illustrations, including 3 in full color. 71 pages, small oblong 8vo, grey marled cloth, dust wrapper. New York: Abrams, (1969). A fine copy in a near fine dust wrapper. Modern Artist Series.
Rome: Gangemi Editore, 2013. Illustrated throughout in color. 11 pages with text in Italian. Small folio, glossy pictorial boards; just a bit bumped. Roma: Gangemi Editore, 2013. First edition. A near fine copy of this scarce monograph.
Geneva: Nagel, 1958. Some Notes on the Philosophical Basis of Hindu Erotic Sculpture. Illustrated with 69 plates, mostly black & white, some folding. 4to, chipped d.w. Geneva: Nagel, 1958. A very good copy.
Cambridge: University Press, 1938. Illustrated with black and white photographs. 99 pages, 12mo, red cloth with gilt stamped elephant on cover (wear along exterior of back hinge, still completely firm). Cambridge: University Press, 1938. A very good copy.
Bern: Kunsthalle, 1975. Many black-and-white photographs. 99pp., tall 8vo, printed red wrappers; lower front corner bumped. Bern: Kunsthalle Bern, (1975). A very good (+) copy.
London: Henry Moore Foundation, 1996. Profusely illustrated in color & in black & white.4to, black cloth, d.w. (London): Henry Moore Foundation and Lund Humphries, (1996). First Edition. Fine.
London: Annely Juda Fine Art, 2005. Illustrated in color and black and white. 72 pages, slim oblong 8vo, tan pictorially stamped cloth. London: Annely Juda Fine Art, 2005. A fine copy (every so slightly bumped spine ends). Signed David Nash on the title page with a drawing of a pyramid, a sphere, and a cube.
London: Annely Juda Fine Art, 1991. Illustrated with color photographs and drawings. 47 pages, slim small 4to, pictorial wrappers. London: Annely Jude Fine Art. A near fine copy. Exhibition catalog.
Tokyo: Bijutsu Shuppan-sha, 1952. 4 volumes (of 6 total): volumes 1, 3, 4, 5. Numerous dramatic photogravure plates. Small very slim folios, white boards, edge-worn d.w. (large chip on dust wrapper of volume 3 with boards discolored beneath). Tokyo: Bijutsu Shuppan-sha, 1952-53. Very good clean copies. Vol I: Archaic Period. Photographs by Manshichi Sakamoto. Vol. III: Hakuho Period. Photographs by Yonpachi Fujimoto. Vol. IV: Tempyo Period. Photographs by Taikichi Irie. Vol. V: Heian Period. Photographs by Domon Ken.
London: Thames & Hudson, 1970. With 365 illustrations including 37 color plates. 344 pages, 4to, grey cloth, dust wrapper. London: Thames & Hudson, (1970). A near fine copy in a good dust wrapper (tattered at corners).
London: Phaidon, 1997. Many illustrations, mostly color. 160pp. Square 4to, pictorial wrappers. (London: Phaidon, 1997). First softcover edition. A fine copy.
New York: Abrams, 1971. Translated by Daniel Dichter. 222 illustrations in color and in black and white. 4to, blue polished calf, cloth slipcase; (case a bit bumped at edges). New York: Abrams, (1971). Very Good (+). Limited Edition, one of 90 numbered copies.
New York: Marisa Del Re Gallery, 1985. Many plates, a few in color. 49pp. 4to, pictorial wrappers, front wrapper and first few pages slightly curled on upper right front corner margins. New York: Marisa Del Re Gallery, 1985. Very good Exhibition catalogue.
New York: Whitney Museum, 1990. Profusely illustrated in black & white and color. 355pp. Thick 4to, stiff printed wrappers. New York: The Whitney Museum of American Art, 1990. First Edition. Still in the original shrinkwrap. With Essays by Richard Armstrong, John G. Hanhardt, Robert Pincus-Witten. This book was published on the occassion of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990.
New York: Whitney Museum, 1990. Profusely illustrated in black & white and color. 355pp. Thick 4to, stiff printed wrappers. New York: The Whitney Museum of American Art, 1990. First Edition. A near fine copy. With Essays by Richard Armstrong, John G. Hanhardt, Robert Pincus-Witten. This book was published on the occassion of an exhibition held at the Whitney Museum of American Art, New York, from February 20 through June 3, 1990.
Worcester: Common Wealth, 1964. b/w plates. 144pp. 8vo, pictorial wrappers (lightly worn) Worcester, MA: Common Wealth Press, . Very good. Exhibition Worcester Art Museum January 16-February 23, 1964.
New York: Oxford University Press, 1975. 144 black & white illustrations.4to, burgundy cloth. New York: Oxford University Press, (1975). Very good (+). Considered the foremost sculptor of the 18th century.