Munich: Prestel, 1989. Profusely illustrated in color and black & white. 156pp. Slim 4to, glossy pictorial wrappers. (Munich: Prestel, 1989). A near fine copy. More

Milan: Olivetti, 1986. Illustrated throughout with finely printed b/w photographs; pictorial endpapers. 194pp with text in Italian. Square 4to, gray cloth, d.w. (chipped at head of spine with cloth barely discolored beneath). Milan: Olivetti, (1986). First edition. Pages are a bit toned at edges, still a near fine copy in a very good dust wrapper, inscribed by the photographer on a preliminary page. More

New York: Pantheon, 1966. 330 illustrations, 348 pages, tall 8vo, green cloth, dust wrapper (worn, chipped, and price-clipped). New York: Pantheon. The Bollingen Series XXXV, (1966). A very good copy in a very good(-) dust wrapper. The A. W. Mellon lectures in the fine arts. Vol. XII. More

University Park: Pennsylvania State University Press, 1971. Profusely illustrated in b/w with some in color. 287 pages. Square 4to, natural cloth, d.w., board slipcase. University Park: Pennsylvania State University Press, (1971). First American edition. A fine copy in a near fine dust wrapper & box. More

London: Boydell, 1782. Illustrated with 106 engraved plates (45 in outline) some foxing throughout. Tall folio, recently rebound in 1/2 crimson morocco, marbled boards. London: Printed for John Boydell, 1782. Second edition. A very good copy in a fine binding. An elaborate artist's manual first published in 1759. It celebrates Raphael's cartoons, purchased by William and Mary, and then housed in their own gallery within Hampton Court. Ralph's book begins with 12 plates "of the Study of Geometrical Figures." These..... More

New York: Museum of Modern Art, 2012. Illustrated endpapers. 153 color illustrations and 102 duotone. 264 pages, 4to, grey cloth, dust wrapper. New York: Museum of Modern Art, (2012). A fine copy in a fine dust wrapper, as new in the original shrinkwrap. More

Berlin: Ullstein, 1981. Text in German. Illustrated with black and white photography by Henry Ries. 126 pages, oblong 8vo, pictorial wrappers, lightly rubbed. Berlin: Ullstein, (1981). Very good Includes many English translation inserts. Presentation copy boldly signed by Henry Ries on title page, and with an additional signed card. More

unpublished, 1896. Oblong 12mo, original linen with clasp. Signed inside cover, 1896. Very good (+). Among the inserted drawings are two portraits of Henry Mills Alden, New York, 1916, and a finished drawing of "my studio in Paris before I light my lamp." More

Munich: Schirmer/Mosel, 1980. Profusely illustrated with 431 black & white photographic illustrations with captions in German, English & French. 80 pages of text in German. Short thick 4to, black cloth, d.w., plain board slipcase. Munchen: Schirmer/Mosel, (1980). First edition. Price sticker residue on front endpaper, still a fine copy in a near fine dust wrapper. Sander's epic complete "portrait" that shows society during the Weimar Republic. More

New York: Harcourt, 1981. Illustrated in black and white and color. 4to, burgundy cloth, dust wrapper. New York: Harcourt, (1981). A fine copy in a near fine dust wrapper. More

Zurich: Scalo, 1996. Illustrated throughout with photographic portraits in sepia. 4to, black boards, d.w. Zurich: Scalo, (1996). First edition. A fine copy in a fine dust wrapper. Signed by the photographer on the title page. More

New York: New York University Press, 1969. Illustrated with 74 Plates in black and white. 147 pages, slim 4to, blue cloth (sunned to tan on spine). New York, NYU press, 1969. Aside from sunning a fine copy. Overall condition very good(+). Presentation copy signed by the author on title page. More

New Haven: Yale University Press, 1997. Illustrated in color and black and white. 192 pages, 4to, grey cloth, dust wrapper. New Haven: Yale University Press, (1997). A near fine copy in a near fine dust wrapper. More