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Color frontispiece and 13 other full-page color plates; 99 b/w plates with 2 views each. xiv, 212pp of text. Folio, original gilt and blind- stamped orange cloth; uncut edges (covers are just slightly bowed and the spine has a touch of faint spotting, otherwise a near fine copy). London: Oxford University Press/Humphrey Milford, 1933. First edition. With the small ownership plate of art historian Meyer Schapiro.
New York: Fischbach, 1995. Collection of 4 exhibition catalogs, each with around 8 color illustrations. thin 8vos, stiff printed wrappers. New York, 1989-1995. A near fine set Includes: Nell Blaine: Recent Oils and Works on Paper April 1-26, 1989. Fischbach Gallery; Nell Blaine "Night and Day", March 26 through April 20, 1991. Fischbach Gallery; Nell Blaine, Selections from the Arthur W. Cohen Collection April 8-May 6, 1995, Tibor de Nagy Gallery; Nell Blaine, Recent Oils, Watercolors, Drawings, April 6 through.....
II. The Fine Arts Collection of... III. Plates. 3 vols., stiff paper wrs. Color illustrations throughout in first 2 vols. 9 color plates, loose as issued in Vol. III, together in an oblong 4to, cloth clamshell box, paper label on front cover. Hartford, CT: Hartford Steam Boiler Co., (1987). Fine. Limited Edition, one of 3000 numbered copies.
Lausanne: Skira, 1970. Translated by James Emmons. Numerous mounted color plates, and many other black and white illustrations. 238pp. Short square folio, glossy pictorial boards, in a matching cardboard slipcase (slipcase slightly bumped). Lausanne: Skira, (1970). A fine copy in a near fine slipcase. With the ownership signature of art historian Meyer Schapiro.
New York: Pantheon, 1966. The A. W. Mellon Lectures in the Fine Arts, 1958. 2 volumes. 536 illustrations. 4to and oblong 4to, green cloth, board slipcase. New York: Bollingen Foundation & Pantheon Books, (1967). Near fine set. Bollingen Series XXXV, No. 7. Volume I: Text. Volume II: Plates in separate board slipcase.
Madison: University of Wisconsin Press, 1966. Frontispiece portrait, and 254 illustrations, including a few in color. 298 pages. Tall thick 4to, gray cloth, dust wrapper; wrapper edge-worn/torn. Madison: University of Wisconsin Press, 1966. First edition. A very good(+) copy in a very good(-) dust wrapper.
Milan: Leonardo Arte, 1994. Nearly 200 color illustrations, 100 black-and-white photographs. 400pp., folio, stiff, glossy pictorial wrappers. Milan: Leonardo Arte in association with the National Gallery of Art and The Museum of Modern Art, (1994). Internally fine, a near fine copy. Essays by Yve-Alain Bois, Joop Joosten, Angelica Zander Rudenstine, and Hans Janssen.