New York: Abrams, 2001. 330 illustrations including 190 plates in full color. 239 pages. Thick 4to, blue cloth with minor fading along lower edge, edgeowrn d.w. New York: Abrams in association with National Gallery of Canada, (2001). First edition. A near fine copy in a very good(-) dust wrapper. Essays by Colin B. Bailery, Peter Verg, et al. More
Fort Worth: Kimbell Art Museum, 1982. Preface by David M. Robb, Jr. 8 color plates, plus many black-and-white illustrations. 143pp., 4to, cloth, d.w.; front free endpaper dogeared and with inscription, d.w. some chipping at spine ends and corners. Fort Worth: Kimbell Art Museum, 1982. A very good copy in a very good (-) dust wrapper. More
New York: Abbeville, 1988. Illustrated in color and black and white. 144 pages, 4to, pale blue cloth, dust wrapper (one tiny abrasion to front panel). New York: Abbeville, 1988. A fine copy in a near fine dust wrapper. More
Paris: Flammarion, 2007. Profusely illustrated in both color and black & white. 191pp., large 8vo, pictorial padded boards. Paris. Flammarion, (2007). A fine copy. More
London: Goupil, 1904. Many illustrations, rubricated title, 302pp. folio, green cloth. London: Goupil & Co., 1904. Very good. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture. More
London: Goupil, 1904. Many b/w illustrations, 302pp. 4to, beautifully rebound in full green morocco with floral gilt-decorated covers and spines, raised bands, inner and outer dentelles, a.e.g. London: Goupil & Co., 1904. Near fine. A collection, chiefly of paintings, particularly strong in the 18th century French masters, but with representatives of English, Flemish and Italian schools, furniture, porcelain, and sculpture. More
Norwalk: Easton, 1989. Color frontispiece with illustrations by Remington. 160pp. 4to, gilt-stamped brown leather with color illustration mounted on front cover, a.e.g. Norwalk: The Easton Press, (1989). A fine copy. Collector's Edition from the Library of American Art. More
New York: Metropolitan Museum of Art, 2003. 515 illustrations, including 333 color plates. xiv + 786pp., very thick brown cloth, d.w. New York: The Metropolitan Museum of Art and New Haven: Yale University Press, (2003). A fine copy in a fine dust wrapper. More
New York: Kent, 1990. Introduction by Robert Rosenblum. 74 paintings reproduced. 151pp., tall 8vo, black cloth, d.w. New York: Kent Fine Art, (1990). A fine copy in a fine dust wrapper. More
New York: Abrams, 1992. 81 illustrations, including 40 full-color plates. 128 pages, 4to, cloth, d.w.; remainder mark bottom edge. New York: Harry N. Abrams, (1992). A very good(+) copy in a very good(+) dust wrapper. More
New York: Abrams, 1960. Introduction by P.M. Bardi. 12 drawings preceding title page, 2 color plates and 71 illustrations. xix + 75pp., 4to, natural cloth with decorative cover. New York: Harry N. Abrams, (1960). A fine copy. More
Jackson: Mississippi Museum of Art, 2006. Illustrated in color. 167 pages, 4to, grey boards with tan cloth spine, die cut window revealing color image beneath. Jackson: Mississippi Museum of Art, 2006. A very near fine copy. Correspondence between O'Keeffe and her longtime conservator, Caroline Keck. More
New York: Macmillan, 1950. Many black-and-white illustrations. 717 pages, tall 8vo, orange cloth, dust wrapper (worn and chipped). New York: Macmillan, 1950. A Very good copy in a very good(-) dust wrapper. More
Beaux Arts Editions, 1999. Gorgeously illustrated in color with many full-bleed images. 328 pages, thick folio, pictorial boards backed in gold cloth with silver stamping. Beaux Arts Editions, (1999). A near fine copy of this large, attractively designed book. More
Milan: Skira, 1995. 85 full-page color plates, plus additional illustrations. 308 pages with text in German, Italian & French. 4to, printed, pictorial wrappers. Milano: Skira, (1995). A very good copy (+). More
New York: Metropolitan Museum of Art, 1993. Profusely illustrated with both black and white and color paintings and calligraphy from the "Classic of Filial Piety" or Hsiao Ching. 176 pages, slim 4to, tan cloth, dust wrapper (wrapper sunned on spine and back panel slightly rubbed). New York: Metropolitan Museum of Art, 1993. A fine copy in a near fine dust wrapper. More
Munich: Prestel, 1988. 516 illustrations, including 89 in color. 197pp., 4to, blue cloth, d.w. Munich: Prestel, (1988). A fine copy in a near fine dust wrapper. More
Leningrad: Aurora, 1975. A complete publication of the collection with 358 colour plates including 44 details (some folding). Large 4to, brown cloth, in publisher's board slipcase. Leningrad: Aurora Art Publishers, (1975). More
New York: Abrams, 1998. 300 illustrations, 124 color plates. 376 pages, pictorial wrappers. New York: Harry N. Abrams, (1998). A near fine copy. More
Milano: Rizzoli, 1971. Illustrated mostly in color. 120 pages with text In Italian. slim 4to, pictorial boards, dust wrapper. Milan: Rizzoli, (1968). A near fine copy in a very good dust wrapper. Number 47 in the Classici dell'Arte series. More
Paris: SNEP, 1946. 112 tipped-in color illustrations, tall 4to, printed tan boards. Paris: Editions SNEP, (1946). Very good (+). French art from the Middle Ages to the the 1940's. More
Paris: Editions, 1954. Illustrated with many color plates, all mounted within gold borders. 112pp. slim folio, original green and gold printed wrappers (spine a bit darkened and worn at ends); edgeworn and slightly broken board box. Paris: editions S.N.E.P., (1954). Text in French. A very good(+) copy. More
Paris: SNEP, 1952. 116 tipped-in color plates, folio, printed beige boards. Paris: Editions SNEP, (1952). Very good (+). The evolution of painting in Europe, from the Middle Ages to the 18th century. More
New York: Alpine, 1980. Many color reproductions. 320pp. Folio, beige cloth, d.w. New York: Alpine Fine Arts, (1980). Near Fine. Naive painting from Europe, Asia, and both Americas. More
New York: Harper, 1972. Illustrated. 4to, cloth, d.w.; worn. New York: Harper & Row. Publishers, 1972. A fine copy in a very good dust wrapper. More
Dear Argosy, the book was absolutely positively great! Most pleased.
You've got yourself one happy customer at this end, folks. I've been looking for another copy of "West of the Indus" for nearly twenty years (I know, it's such a cultural wasteland out here in the provinces), and I never expected to find one with a dust jacket. I am amazed. Thank you so much. I've enjoyed many books over the years, but this one has always been one of my favorites. Now if I can just figure out how to share it with my friends without losing it...