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Tel Aviv: Tel Aviv Museum of Art, 2012. Foreword by Ellen Ginton, Ruthi Ofek, and Joseph Thompson. Patterned endpapers, illustrated profusely in color. 239 pages, 4to, attractive strikingly designed blue and white pictorial boards. Tel Aviv: Tel Aviv Museum of Art, (2012). A fine copy. Exhibition catalog of a comprehensive survey of Patkin's work for the Tel Aviv Museum of Art.
New York: Pierpont Morgan Library, 1993. Many illustrations in color and black and white. 310 pages, 4to, gilt stamped black cloth (text on spine a little worn), green cloth slipcase with pictorial label (slipcase worn at corner but it did a good job of protecting the book itself.) New York: Pierpont Morgan Library, (1993). A near fine copy in a good slipcase.
Notre Dame, Indiana: University of Notre Dame, 1987. Profusely illustrated in color and black & white. 285 pages. Square 4to, burgundy cloth, dust wrapper. Wrapper is very lightly worn. Notre Dame, Indiana: University of Notre Dame, (1987). A near-fine copy. Inscriptions to former owner from the museum staff on title page.
Seattle: Seattle Art Museum, 1973. Color frontispiece and many other illustrations, both in color and black and white. 300 pages, 4to, maroon cloth with gilt-stamped spine (ex-libris stamp and previous owner's signature on front free endpaper; erased pencil notations on title page). Seattle: Seattle Art Museum, 1973. A very good copy.
New York: National Academy of Design, 1988. 30 full pages color plates plus many black & white illustrations. Introduction by Annamaria Petrioli Tofani. Text by Caterina Caneva and Antonio Natali. 108 pages. Slim 4to, black cloth, d.w. New York: National Academy of Design, (1988). First edition. A near fine copy in a near fine dust wrapper. Printed on the ocasion of the exhibition.
New York: Abrams, 1984. Foreword by J. Carter Brown. Packed with 1,120 illustrations, including 1,028 in color. 696pp. Very thick 4to, yellow blind stamped cloth, d.w. New York: Abrams, (1984). A fine copy in a near fine dust wrapper. A lavishly illustrated work on the greatest collection of Western art in the U.S., by the gallery's Director Emeritus.