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New York: Metropolitan Museum of Art, 1962. Illustrated with 202 full-page photographic plates. lxv, 64pp of text. Thick 4to, two-toned cloth with red spine label.. New York: Metropolitan Museum, (1962). A very good(+) copy Volume V of the Irwin Untermyer Collection. The collection consists primarily of bronzes from Italy, Germany, France and the Netherlands, from the 13th to the 18th centuries.
New York: Metropolitan Museum of Art, 1969. Color frontispiece + 213 plates, additional photos of hallmarks. xlvi + 115 pages. 4to, two-toned cloth, d.w. New York: Metropolitan Museum of Art, (1969). Revised edition. Near fine in very good dust wrapper Volume 6 only of the 6 volume set. Objects from the Tudor period to the nineteenth century, presented in chronological order, with enlargements of hallmarks, and with additional objects acquired since publication of the first edition.
Paris: G. Van Oest, 1928. 55, pp followed by LX finely printed collotype plates. Small folio, original green gilt-lettered cloth (a bit bumped at spine ends and corners; several signatures loose or starting, otherwise a very good clean and complete copy); uncut edges, t.e.g. Paris & Brussels: Editions G. Van Oest, 1928. Small ownership signature of art historian Meyer Schapiro.
New York: Museum of Modern Art, 1968. Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers. New York: M.O.M.A., 1968. A bright copy in near fine condition. The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present. From the library of Nan Rosenthal, curator of modern art at the Metropolitan Museum of Art & The National Gallery with her name on the.....
Berlin: Jewish Museum Berlin, 2001. Foreword by Julian Nida-Rumerlin. Other introductory writings by W. Michael Blumenthal and Ken Gorbey. Illustrated profusely in color and black-and-white. 221pages, square 4to, pictorial boards (tiny bumps to bottom back edge and Berlin: Jewish Museum Berlin, (2001). A fine copy.
Boston: Museum of Fine Arts, 1962. 2 volumes. Introduction by Henry P. Rossiter. With 24 color plates, and 407 black & white illustrations. 4to, brown cloth-backed boards, in board slipcase. Boston: Museum of Fine Arts, 1962. First edition. Fine copies in a very good(+) slipcase. "Contains useful information for the study of 19th century American draughtsmen and watercolorists." - Arntzen/Rainwater L80. Printed at the Stinehour Press.