New York: Braziller, 1986. Preface by James Byam Shaw. Illustrated with 77 full-page sepia plates and 27 smaller b/w images. 197 pages. Oblong folio, terra cotta cloth, d.w. New York: Braziller, (1986). First edition. A fine copy in a fine dust wrapper, as new and preserved in the original shipping carton. First publication of the album of drawings for the Punchinello cycle, which was broken up in 1921 and is here reassembled.
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Milan: Silvana Editoriale d'Arte, 1958. Fine b/w frontispiece portrait and 32 mounted color plates; additional b/w figures throughout. Unpaginated. Thin folio, cloth-backed boards, edgeworn d.w. Milano: Silvana Editoriale d'Arte, (1958). First edition. Text in Italian. A very good(+) copy in a very good dust wrapper.
Princeton: Princeton University Press, 1971. Illustrated with facsimiles of handwritten pages. 359 pages, small 4to, light blue cloth, dust wrapper (price clipped). Princeton: Princeton U.P. (1971). A fine copy in a very good(+) dust wrapper. A monograph treating Carnot's scientific work, with facsimile reproduction of his unpublished writings on mechanics and on the calculus, and an essay concerning the latter by A.P. Youshekevitch.
Viterbo: Primaprint, 1997. 62 color illustrations. 128 pages with text in English and Italian. 4to, black cloth, d.w., publisher's pictorial slipcase. Viterbo: Edizioni Primaprint, 1997. First Edition. A fine copy in a fine dust wrapper and slipcase, inscribed on the half title: "To... with affection, Mike. 3/27/98" This well-illustrated monograph is the major reference work on the noted second generation American Abstract Expressionist painter Michael Goldberg. Scarce.
New York: Aperture, 1986. Edited with Marvin Heiferman, Mark Holborn and Suzanne Fletcher. Illustrated throughout with gritty color photographs of Goldin and her circle of friends behaving badly. 144 pages. Slim oblong 4to, blue cloth-backed boards, d.w. New York: Aperture, (1986). True first edition of Goldin's influential and now classic first monograph. A fine copy. Parr and Badger II, p. 39; Roth p. 252-253.
Bogota: Panamerica Formas, 2001. Illustrated throughout, mostly in color. 237 pages with text in Spanish. Large square 4to, blue boards, d.w. Bogota: Panamerica Formas, 2001. First edition. A fine copy in a fine dust wrapper. Inscribed by the artist on the half title. A scarce monograph of the Colombian artist.
New York: Abrams. Frontispiece and 87 other color plates, many mounted & some folding; 158 b/w illustrations. 306 pages. Oblong folio, green cloth (a bit sunned at bottom edge), dust wrapper. New York: Abrams, (no date, ca. 1970). First edition. A very good(+) copy in a very good(-) dust wrapper, torn but largely intact. A rather large and heavy book, that will require additional postage.
Boston: Bulfinch, 1990. Illustrated with 106 handsomely printed photographs. 127pp. Slim oblong 4to, orange cloth, d.w. (one corner bumped, otherwise a fine copy). Boston: Bulfinch Press & Philadelphia Museum of Art, (1990). First trade edition. A near fine copy in a near fine dust wrapper. Published on the occasion of the exhibition shown at the Philadelphia Museum of Art.
Lugano: Giulio Topi, 1979. An interestingly produced collection consisting of 23 folded fasicules on heavy brown paper, each with mounted plate and short description. 5 additional fasicules with title, limitation, and other small amounts of various information. Short 4to, all housed together in a brown cloth chemise with leather spine label. Lugano: Editore-Stampatore Giulio Topi, 1979. Limited edition -- number 310 of 500 copies. Several small stains on slipcase, internally fine. Scarce.
New York: Quadrangle, 1950. With a memoir by Ernest Hemingway. Frontispiece portrait, 6 color plates and over 100 monochrome illustrations. 133 pages. Slim 4to, yellow printed boards (slightly darkened at edges), battered dust wrapper. New York: Quadrangle, 1950. Revised edition. A very good(+) copy in a good dust wrapper.