America in Passing.
Boston: Bulfinch, 1991. Forward by Arthur Miller. Illustrated throughout with 99 duotone photographs. 149pp. Thin square 4to, black cloth, price clipped d.w. Boston: Bullfinch Press, (1991). Fine in near fine dust wrapper. More
Books
Henri Cartier-Bresson: Photographer.
Boston: New York Graphic Society, 1979. With 155 full-page duotone photographs. Short foreword by Yves Bonnefoy. Thick square 4to, blind-stamped linen, d.w. Boston: New York Graphic Society, (1979). First American edition. A fine copy in a near fine dust wrapper. More
James Casebere: Works 1975-2010
Bologna: Damiani, 2011. A monograph illustrated in color and black & white with essays by Toni and Ford Morrison and Hal Foster, and an interview with Okwui Enwezor. Square 4to, tan cloth, dust wrapper. Bologna: Damiani, (2011). First edition. One corner bumped, else a fine copy. Inscribed by Casebere on title page. More
Donatello.
New York: Reynal, 1965. With 40 color plates, and 209 b/w illustrations. 118 pages of text. Thick 4to, burgundy cloth, lightly edgeworn d.w. with some neat taping at tips., cardboard slipcase. New York: Reynal and Co. (1965). First American edition. A near fine copy in very good dust wrapper. More
Henri de Toulouse-Lautrec: Images of the 1890s.
New York: Museum of Modern Art, 1985. With 84 color and 207 black & white illustrations. 264pp. Square 4to, gray cloth, d.w. New York: The Museum of Modern Art, 1985. First edition. A near fine copy. More
Tilman Riemenschneider: Master Sculptor of the Late Middle Ages
Washington: National Gallery of Art, 1999. With contributions by several authors. Hundreds of illustrations, in both color and black and white. 352pp., tall 4to, stiff, pictorial wrappers. Washington, D.C.: National Gallery of Art, (1999). A near fine copy. More
Tilman Riemenschneider: Master Sculptor of the Late Middle Ages
Washington: National Gallery of Art, 1999. Illustrated in b/w and color images. 352 pages. Tall 4to, black cloth, d.w. Washington, D.C.: National Gallery of Art, (1999). A fine copy in a near fine wrapper, with spine ends just slightly crinkled. More
Ira Moskowitz.
New York: Shorewood, 1966. Introduction by John Davis Hatch. 63 facsimile plates, including 18 color and 45 duotones. Large 4to, brown cloth, tattered d.w. New York: Shorewood Press, 1966. First edition. A near fine copy in a good dust wrapper. More
Ira Moskowitz.
New York: Shorewood, 1966. Introduction by John Davis Hatch. 63 facsimile plates, including 18 color and 45 duotones. Large 4to, brown cloth, tattered d.w. New York: Shorewood Press, 1966. A very good(+) copy in a poor dust wrapper. Special edition with a b/w lithograph "Nude" printed by Mourlot and signed in pencil. Additional inscription on the title page. More
Ralph Goings
New York: Abrams, 1988. 122 illustrations including 50 color plates. 120pp. Slim oblong 4to, red-lettered blue cloth, d.w. New York: Abrams, (1988). First edition. A fine copy in a fine dust wrapper. More
Venetians.
Altadena: Twin Palms, 1989. Many color photographs and illustrations. Short folio, white cloth, d.w. Altadena CA: Twin Palms, (1989). First edition, fine in fine d.w. More
Picasso: The Italian Journey 1917-1924
London: Thames & Hudson, 1998. 550 Illus., 300 in color. 4to, black cloth, d.w. sunned on spine portion and the top of back portion of d.w. (London): Thames and Hudson, (1998). Very good. More
Certain Places: Photographs by William Clift.
Santa Fe: William Clift Editions, 1987. Illustrated with 22 beautiful tritone plates. Thin oblong 4to, cloth-backed boards lettered in gilt, dust wrapper chipped at extremities. Santa Fe: William Clift Editions, (1987). First edition. A near fine copy in a very good dust wrapper. Published on the occasion of an exhibition at the Art Institute of Chicago, 1987. More
Certain Places: Photographs by William Clift.
Santa Fe: William Clift Editions, 1987. Illustrated with 22 beautiful tritone plates. Thin oblong 4to, cloth-backed boards lettered in gilt, dust wrapper. Santa Fe: William Clift Editions, (1987). First edition. A near fine copy in a near fine dust wrapper. Signed by Clift on the title page. Published on the occasion of an exhibition at the Art Institute of Chicago, 1987. More
Antonio del Pollaiuolo.
Florence: Chessa, 1945. Illustrated with 98 full-page black & white plates. Tall thin 4to, blue cloth-backed boards (rubbed at edges and corners bumped; paste-down endpapers rippled). Florence: Chessa Editeur, 1945. Text in French. A very good copy. More
Timothy Cole: Wood-Engraver.
New York: Pioneer Associates, 1935. Illustrated with 19 reproductions of wood engravings. Tall slim 8vo, blue cloth (spine darkened and a bit worn at head; internally clean). New York: Pioneer Associates, 1935. Limited first edition. A very good copy. Limited edition - number 742 of 750 numbered copies signed by both authors. More
In the Light of Italy: Corot and Early Open-Air Painting.
Washington: National Gallery of Art, 1996. Profusely illustrated in color. 288 pages. 4to, brown cloth, d.w. Washington: National Gallery of Art, (1996). First edition. A fine copy in a fine dust wrapper. Published for the exhibition 26 May-2 September, 1996 at the National Gallery. More
John Folinsbee.
New York: Kubaba, 1994. Color & b/w illustrations throughout. 148 pages. Slim oblong 4to, blue cloth, d.w. (just a bit bumped at top edge). New York: Kubaba Books, 1994. First edition. A fine copy in a very good(+) dust wrapper. More
The Work of Graham Sutherland.
London: Lund Humphries, 1962. Profusely illustrated throughout, some in color. 97 pages of text. 4to, pictorial boards, clear mylar (a bit chipped). London: Lund Humphries, (1962). Second printing. A near fine copy. More
Mondrian: The Transatlantic Paintings.
New Haven: Yale University Press, 2001. Color and b/w plates throughout. xi + 263 pages. Small 4to, printed wrappers. New Haven/Cambridge: Yale University Press and Harvard University Art Museums, (2001). First softcover edition. A fine copy. More
Andy Warhol.
New York Graphic Society, 1978. 18 color plates and 100 in b/w. Thin 4to, red cloth, edges of corners worn, spine ends and bottom edges of covers rubbed. N.p.: New York Graphic Society, (1978). From the library of Nan Rosenthal, who was a curator of modern art at the Metropolitan Museum of Art and the National Gallery of Art, with her ownership signature. More
Conrad Von Soest: Painter Among Merchant Princes
London: Harvey Miller, 1996. Illustrated in b/w throughout, some in color. 287 pages. 4to, navy cloth, d.w. (London): Harvey Miller, (1996). A fine copy in a fine wrapper. More
Grant Wood. The Regionalist Vision.
New Haven: Yale University Press, 1983. Illustrated throughout, some in color. 168 pages. Slim oblong 4to, glossy pictorial wrappers; covers lightly rubbed. New Haven:Yale University Press, (1983). First softcover edition. A very good clean copy. Published in conjunction with an exhibition. More
Edouard Manet.
Paris: Cercle d'Art, 1991. Illustrated with 48 color plates and 82 in black and white. 158 pages with text in French. Tall 4to, beige cloth, d.w. Paris: Cercle d'Art, 1991. A new edition, revised and corrected. A fine copy in a fine dust wrapper. Grand Peintres et Sculpteurs series. More