New York: Abrams, 2001. 330 illustrations including 190 plates in full color. 239 pages. Thick 4to, blue cloth with minor fading along lower edge, edgeowrn d.w. New York: Abrams in association with National Gallery of Canada, (2001). First edition. A near fine copy in a very good(-) dust wrapper. Essays by Colin B. Bailery, Peter Verg, et al.
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Boston: Bulfinch, 1997. Replete with 265 duotone illustrations. 262 pages. Thick 4to, black cloth, d.w. (just a bit scuffed and faded at extreemes). Boston: Bulfinch Press, (1997). First edition in English. A fine copy in a near fine dust wrapper. Published in conjunction with the 1997 ICP exhibition.
Paris: Editions de la Martiniere, 2007. Profusely illustrated throughout in color featuring Baumer's elegant jewelry designs and inspirations. 286 pages with text in French & English. Large 4to, black lettered boards, d.w. Paris: Editions de la Martiniere, (2007). First edition. Corners are very slightly bumped, otherwise a fine copy with a lengthy inscription from Baumer on the front endpaper.
New York: Macmillan, 1968. Introduction by Truman Capote. Illustrated with many photographs, a few in color. 248 pages. Tall 4to, heavy black cloth, lightly rubbed, pictorial d.w, a few short tears and chips. New York: Macmillan, (1968). First American edition. A near fine copy in a very good(+) dust wrapper.
London: Phaidon, 1954. Profusely illustrated with 1734 black & white images, many reproduced in the original size. 6 volumes. Small folios, turquoise cloth with gilt-lettered spines, tattered d.w. London: Phaidon, (1954-1957). First editions. A fine set in good dust wrappers. Un-retouched collotypes of all known drawings by the master, including over 100 "lost" originals. The standard catalogue raisonne of Rembrandt's drawings.
New York: Thames & Hudson, 1991. With an essay by Robert Storr. Illustrated throughout with large color plates and smaller b/w photographs. 160 pages. Oblong 4to, original glossy pictorial wrappers New York: Thames and Hudson & Art Institute of Chicago, (1991). First softcover edition. A fine copy. Prepared on the occasion of the 1991 exhibition.
New York: McGraw-Hill, 1965. Translated by Michael Bullock. Numerous illustrations throughout, including 20 mounted color plates. 244 pages. Thick 4to, pale green cloth (slightly faded at top edge), edgeworn d.w. New York: McGraw-Hill, . First English edition. Near fine in very good dust wrapper.
University Park: Pennsylvania State University Press, 1967. 80 plates, many mounted & in color, 82 text illus. 183 text pages. 4to, beige cloth, edgeworn d.w. University Park: Pennsylvania State University Press, (1967). Front & rear endpapers a bit wrinkled; gift inscription in red ink, otherwise clean. Very good.
Rome: Contrasto Due, 2004. In Italian and English. Text by Giuseppe Montesano. Profusely illustrated in black & white. 107pp. Short and oblong 4to, pictorial boards. Rome: Contrasto Due / Galleria Gottardo, (2004). First edition. A near fine copy. Catalog for an exhibition at Fondazione Galleria Gottardo in Lugano, Switzerland, March 24 - May 29, 2004.
Warsaw: M. M. Art Books, 1994. Signed. Illustrated throughout in color. 142pp. Tall & slim 4to, stiff wrappers, scuffed d.w. Warsaw: M. M. Art Books, (1994). Edges slightly sunned, still a near fine copy in a very good(+) dust wrapper. A scarce book. Signed and dated by Ryszard Horowitz on the title page.