Lyonel Feininger.
New York: Abrams, 1961. 540 illustrations including 30 in full color. 354 pages. Thick 4to, gray pictorial cloth, worn d.w. New York: Abrams, 1961. First edition. A very good(+) copy in a very good dust wrapper. More
New York: Abrams, 1961. 540 illustrations including 30 in full color. 354 pages. Thick 4to, gray pictorial cloth, worn d.w. New York: Abrams, 1961. First edition. A very good(+) copy in a very good dust wrapper. More
Privately Printed, 1966. Signed by the artist. Illustrated in color and black & white. Thin 4to, buckram. (Privately Printed, 1966). A near fine copy. Signed and inscribed by Maurice Hexter. More
Milan: Sei Swann/Silvana Editoriale, 2009. Illustrated throughout with full-page color portrait plates, many folding. Slim folio, black cloth, d.w. (Milan: Sei Swann/Silvana Editoriale, 2009). First Sei Swann edition. A fine copy in a fine dust wrapper. An interesting book with photographs taken of people looking at themselves in a mirror -- they could not see the photographer or the camera. More
Atlanta: High Museum of Art, 1997. Illustrated with black and white photographs. square 8vo, pictorial self wrappers. Atlanta: High Museum of Art, 1997. A near fine copy, just some sunning to spine and very light surface scuffing. Photographs from the collection of Marian and Benjamin A. Hill. More
Berkeley: Univ. of California, 2009. Profusely illustrated. 348 pages. 4to, brown cloth, d.w. Berkeley: Univ. of California Press, (2009). Firs Edition. Fine in fine dust wrapper. Presentation copy signed by the author. More
New York: Abrams, 1983. With 183 illustrations, including 103 color. 208 pages. 4to, pale blue cloth, d.w. New York: Abrams, 1983. First edition. Some very minor bumping, still a near fine copy in a near fine dust wrapper. More
New York: Flammarion, 1997. Many black & white photographs of Venet's sculptural work. 200pp. Square 4to, glossy pictorial wrappers. New York & Paris: Flammarion, (1997). Text in French. A near fine copy. Inscribed by Venet on the half-title page. More
New York: Graphis, 1999. Essay by Eugenia Parry. 103 tintypes. 223pp., 8vo, red cloth with with inlaid tintype on front cover. New York: Graphis, (1999). A fine copy. More
Detroit: 1898. An Essy to Which was Awarded the Boylston Prize of Harvard University for the Year 1898. Illustrated, 88pp, thin 8vo, cloth; ink stamp on front endpaper, some play to the hinges. Detroit: Reprinted from Medicine, 1898. Very good Author's presentation copy. More
Japan: Kodansha, 1991. Profusely illustrated throughout, mostly in color, many folding plates. Text entirely in Japanese but painting titles are also in English. 7 volumes. Tall folios, golden cloth, d.w., pictorial slipcase. Japan: Kodansha, 1990-1991. Fine in fine dust wrappers and slipcases. Scarce. Volume 2 has a loose print in folder, and a signature in Japanese (not sure whose) and with a 2 page letter in Japanese presenting the books as a gift. More
London: Booth-Clibborn, 1997. Deluxe award winning artist's book illustrated throughout with over 700 images including 4 transparencies, fold-outs, pop-ups and pull- pull-downs, 1 loose posters and the set of paste on stickers (Esquire magazine). Red laminated cloth-covered boards with title and graphics debossed on cover. Some edge wear. 334 pages. Tall thick 4to, red leatherette, d.w. London: Booth-Clibborn, 1997. A fine copy in a near fine dust wrapper. More
New York: Yvon Lambert, 2007. Signed by the artist Richard Jackson paper. Illustrated in color by Richard Jackson. 57pp + index. Slim 8vo, brown cloth. New York: Yvon Lambert, 2007. Limited edition of 1000. A near fine copy. More
New York: Bulfinch, 2004. 325 illustrations, with 277 in color. 368 pages. Small square 4to, blue boards, d.w. New York: Bulfinch Press, (2004). First edition. A fine copy in a fine dust wrapper. More
Saint-Remy-en-l'Eau: Monelle Hayot, 1999. Well-illustrated throughout, much in color. 264 pages with text in French. Square 4to, printed white boards, d.w. Saint-Remy-en-l'Eau: Monelle Hayot, (1999). First edition. A fine copy in a fine dust wrapper, as new. More
New York: Abrams, 1961. Illustrated with 174 reproductions, including 9 in color. 87 pages. Tall slim 4to, white pictorially-stamped black cloth, dust wrapper. New York: Abrams, 1961. First edition. A fine copy in a very good (+) dust wrapper. More
Venice: Liselotte Hohs, 1988. Introduction by Erica Jong. Illustrated in color throughout. Unpaginated. Short & square 8vo, printed stiff yellow wrappers. Venice: Liselotte Hohs, [1988]. A near fine copy of a scare, hand-made book. Liselotte Hohs is an internationally renowned artist with works in the Museum of Modern Art in Vienna, the Knoll Collection in Pasadena, and the Museum of Modern Art in Milan. She has put on exhibitions at galleries around the world. More
New York: Crown, 1976. With 50 color and 25 b/w illustrations. 96 pages. Slim 4to, red cloth, d.w. New York: Crown, (1976). A fine copy in near fine dust wrapper. Crown Q.L.P. Art series. More
Cambridge: MIT Press, 1993. Packed with over 1300 photographs, 150 in color. Very thick 4to, dark gray cloth, price-clipped and lightly chipped d.w. Cambridge: MIT Press, (1993). First American edition. A near fine copy in a very good(-) dust wrapper. A double-faced publication. One side, entitled "Work" contains a catalogue of Duchamp's paintings, sculptures and objects, edited by Pontus Hulten. The other side, entitled "Life: Ephemerides" shows a day-by-day account of the artist's life, replete with documents and photographs, many..... More
New York: Abbeville, 1987. Profusely illustrated in color and in black & white. Thick 4to, black-stamped yellow cloth, d.w. New York: Abbeville Press, (1987). First American edition. A very near fine copy, More
New York: Abrams, 1998. Edited by Andrea Bayer. With 208 illustrations, including 103 in color. 328 pages. Thick 4to, green cloth, dust wrapper. New York: Metropolitan Museum of Art/Harry Abrams, (1998). First edition. A fine copy in a fine dust wrapper. More
New York: Abrams, 1963. With an introduction by Sam Hunter and Five Essays by With 168 illustrations, including 51 mounted color plates. 227pp. Oblong 4to, natural cloth (very slightly edgeworn). New York: Abrams, (1963). Second edition. A very good(+) copy. More
Munich: Prestel, 2003. 263 illustrations, 216 in color. 296 pages. 4to, red cloth, d.w.; minor bump to lower front corner. Munich: Prestel, (2003). A very good(+) copy in a very good dust wrapper. Text in English and German. More
New York: Ryan Lee Gallery, 2013. Illustrated throughout with color photographs. 225 pages with text in English and Korean. Tall 4to, printed wrappers with glossy pictorial dustwrapper; one plate creased. New York: Ryan Lee Gallery, 2013. First edition. A fine copy in a fine dust wrappe. More
Monaco: Documents d'Art, 1949. Illustrated with 8 mounted color plates, and many others in black and white. 4to, 123pp loose as issued in printed paper wrappers, housed in a two-piece board slipcase. Monaco: Les Documents d'Art, (1949). A fine copy, with uncut and unopened pages, in a very good(+) slipcase. Limited edition -- number 432 of 1000 copies printed. More
Monaco: Documents d'Art, 1949. Illustrated with 8 mounted color plates, and many others in black and white. 4to, 123pp loose as issued in printed paper wrappers, housed in a two-piece board slipcase. Monaco: Les Documents d'Art, (1949). A near ifne copy, with uncut and unopened pages, in a good only slipcase. Limited edition -- number 386 of 1000 copies printed. More
Dear Argosy, Thank you for arranging a cheaper price on delivery to Hong Kong. I can say on my honnour, that if Spielberg, Jackson or Lucas, signed a contract with me for the most incredible Spiritual Byzantine blockbuster Saga of all times in Motion pictures, I will come to your shop in person when we will release the 1st movie of the 1st trilogy among the 22 and I will give you back this money :-) Truly, in God! May the Mother of God and all Saints of Mount Athos bless you for ever and ever. - J
Got the books today! Wow the best wrapped, quickest delivery in the history of transtlantic book transport. If I had a hat it would now be removed, Muchas gracias