New York: Museum of Modern Art, 1968. Illustrated in black & white. 43pp. Oblong 12mo, stiff pictorial wrappers, staple bindings. (New York: Museum of Modern Art, 1968). Slightly sunned, still a very good(+) copy. Includes reproductions of prints by Reginald Marsh, John Marin, Martin Lewis, Edward Hopper, Eduardo Paolozzi, and more.
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Paris: Hyperion, 1939. Translated by Eveline Byam Shaw. Illustrated with 160 Reproductions, including some in mounted color plates. 167pp. Tall & wide 4to, beige cloth, sunned and rubbed d.w. Paris: Hyperion Press, (1939). Wear along hinge with discoloration along edges, still a very good(-) copy in a very good(-) dust wrapper.
San Marino: Huntington Library, 1968. Endpapers printed with maps, illustrated in black and white. 143 pages, oblong short 4to, olive drab cloth with decorative gilt stamping, dust wrapper (1 inch closed tear on back cover) San Marino: The Huntington Library, 1968. A fine copy in a very good(+) dust wrapper.
San Antonio: Trinity University, 1976. Over 70 plates, one in full color. Oblong 4to, cloth-backed pictorial boards. San Antonio: Trinity University, (1976). First Edition. Private library stamp on the half title and some minor residue from removed sticker at foot of spine, otherwise a very good clean copy.
New York: Harper, 1968. Illustrated with numerous fine b/w photographic plates by the author, interspersed with text. Thin 4to, brown cloth, d.w. New York: Harper & Row, (1968). First edition. Fine, in a second state dust wrapper ($10.00 price) which is slightly chipped at the top of the spine. Ownership signature of theater critic Howard Kissel.
Tokyo: Gyosei, 1998. Beautifully illustrated with color photographs by Kozo Watabiki. 225pp., large 4to, d.w.; some bumping to the dust wrapper at the upper corners and head of the spine, scratch to rear cover. Tokyo: Gyoesi Corporation, (1998). A near fine copy in a very good dust wrapper. Text in both English and Japanese. Text by various authors.