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Daytona Beach: The Museum of Arts and Sciences, 1999. Illustrated throughout in color. 119pp. Slim 4to, blue boards, very slightly edge-worn d.w. Daytona Beach, FL: The Museum of Arts and Sciences, (1999). Sunned edges and ownership stamp on endpaper, still a very good(+) copy in a very good(+) dust wrapper.
Daytona Beach: The Museum of Arts and Sciences, 1999. Illustrated throughout in color. 119pp. Slim 4to, blue cloth, d.w. slightly chipped, cloth dampstained, bottom margin very lightly dampstained and wrinkled. Daytona Beach, FL: The Museum of Arts and Sciences, (1999). Presentation copy from the author to Wendell (Garrett). Wendell Garrett wrote one of the two essays in this book.
New York: Viking, 1968. Introduction by Robert Graves. Texts and commentaries on the photos by Iris C. Love. 121 pages of full-page color and b/w photographs and 64 pages of text. Tall 4to, blue cloth lightly edgeworn d.w. New York: Viking, (1968). First edition. A near fine copy in a very good(+) dust wrapper. Inscribed by Liberman on the front endpaper, along with the recipient's small embossed name stamp.
New York: Museum of Modern Art, 1968. Illustrated in black & white. 43pp. Oblong 12mo, stiff pictorial wrappers, staple bindings. (New York: Museum of Modern Art, 1968). Slightly sunned, still a very good(+) copy. Includes reproductions of prints by Reginald Marsh, John Marin, Martin Lewis, Edward Hopper, Eduardo Paolozzi, and more.
Paris: Hyperion, 1939. Translated by Eveline Byam Shaw. Illustrated with 160 Reproductions, including some in mounted color plates. 167pp. Tall & wide 4to, beige cloth, sunned and rubbed d.w. Paris: Hyperion Press, (1939). Wear along hinge with discoloration along edges, still a very good(-) copy in a very good(-) dust wrapper.
San Marino: Huntington Library, 1968. Endpapers printed with maps, illustrated in black and white. 143 pages, oblong short 4to, olive drab cloth with decorative gilt stamping, dust wrapper (1 inch closed tear on back cover) San Marino: The Huntington Library, 1968. A fine copy in a very good(+) dust wrapper.
San Antonio: Trinity University, 1976. Over 70 plates, one in full color. Oblong 4to, cloth-backed pictorial boards. San Antonio: Trinity University, (1976). First Edition. Private library stamp on the half title and some minor residue from removed sticker at foot of spine, otherwise a very good clean copy.
New York: Harper, 1968. Illustrated with numerous fine b/w photographic plates by the author, interspersed with text. Thin 4to, brown cloth, d.w. New York: Harper & Row, (1968). First edition. Fine, in a second state dust wrapper ($10.00 price) which is slightly chipped at the top of the spine. Ownership signature of theater critic Howard Kissel.
New York: Scribner, 1946. Text and Photographs by Morris. Illustrated with numerous large b/w photographic plates with accompanying text on facing pages. 4to, beige cloth stamped in blind and black (lightly shelfworn and dusty). New York: Scribner's, 1946. First edition. Musty odor, otherwise a very good(+) copy, lacking the dust wrapper.