Incisori Toscani del Settecento
Florence: Felice le Monnier, 1943. 48 plates. 57pp. of text. 8vo, pr. wrs. Firenza: Felice le Monnier, 1943. Very good. More
Florence: Felice le Monnier, 1943. 48 plates. 57pp. of text. 8vo, pr. wrs. Firenza: Felice le Monnier, 1943. Very good. More
Many color & b/w illus. 175pp. 8vo, boards, d.w. (worn & chipped). N.Y., 1981. More
Boston: David R. Godine, 1994. 100 Illus., 8 in color. 4to, red cloth, d.w. Boston: David R. Godine, (1994). Fine. More
New York: Abrams, 1982. 195 illustrations, including 98 in full color. Slim 4to, blue cloth, d.w. (light wear at spine ends). New York: Harry Abrams/ Aurora Art Publishers, Leningrad, (1982). A near fine copy in a very good(+) dust wrapper. More
New York: Abrams, 1982. 195 illustrations, including 98 in full color. Slim 4to, blue cloth, d.w. New York: Harry Abrams/ Aurora Art Publishers, Leningrad, (1982). A fine copy in a fine dust wrapper. More
Neshannock: Hermes, 2007. Illustrated profusely in color and black and white. 176 pages. Slim 4to, glossy pictorial boards, d.w. (sunned along top edge). Neshannock: Hermes, (2007). A fine copy in a near fine dust wrapper. Good Girl Art chronicles the history of the good girl in comics from the beginning, in the comic book sweatshops in the late 1930s, through the war years, the 1950s, in the aftermath of the Wertham era, from their re-immergence in the 1970s, to the..... More
Paris: Hubschmid, 1975. Introduction by Jean Adhemar. Profusely illustrated in black & white with a few in color. 2 volumes, together 1600 pp., thick 8vo, black cloth, d.w. Paris: Arthur Hubschmid, (1975). Fine. More
New York: Rizzoli, 1990. Illustrated with color images of many posters. 144 pages, 4to, pictorial wrappers. New York: Rizzoli, 1990. A near fine copy. More
Washington: Smithsonian, 1962. A Catalog. 46 plates. 8vo, pr. wrs. (Washington: Smithsonian, 1962). Fine His complete work in the field. More
New York: Grolier Club, 1959. 240 pages. Tall 8vo, cloth with leather spine label, spine very slightly sunned. New York: Grolier Club, (1959). A near fine copy, lacking the slipcase. One of 1000 copies printed at the Spiral Press, with biographies of notable past members of the Grolier Club. More
Rome: Belvedere, 1985. 96 plates with 300 illustrations. 4to, glossy pictorial boards. Rome: Belvedere, (1985). Second edition. Internally fine, a very good (+) copy. More
Holyoke: Hampden, 1923. Introduction by Frank Randolph Southard. 73 of 76 full page plates. 22pp. 4to, 3/4 leather; edges and spine worn, lacks title page. Holyoke: Hampden Glazed Paper and Card Co., 1923. A very good (-) copy. More
Munich: Haus Der Kunst Munchen, 1977. Text in German. Illustrated in black and white with a popup and die-cut pages. 478 pages, thick 8vo, glossy pictorial boards. Munich: Haus Der Kunst Munchen, 1977. A very good(+) copy. More
London: Batsford, 1925. vii + 110 pp. + 101 full page plates depicting trademen's cards. Laid in are 4 small illustrations from the time. Small 4to, beige cloth backed marbled boards (corners slightly bumped). London: Batsford, 1925. Limited Edition. More
New York: Disney, 2001. Many illustrations. 191 pages. 4to, silver pictorial boards. New York: Disney Enterprises, (2001). First edition. A fine copy. More
New York: Abrams, 1988. More than 700 illustrations, including 225 plates in full color. 239 pages, 4to, cloth, d.w.; some scuffing and fading to dust wrapper. New York: Harry N. Abrams, ( 1988). A near fine copy in a very good dust wrapper. More
New York: Japan Society, 1995. In German. Profusely illustrated with color plates. 159 pages, slim 4to, pictorial wrappers. New York: Japan Society, (1995). A fine copy. More
Zurich: The Graphis Press, 1985. With many b/w and color illustrations. 260pp. 4to, gray cloth, slightly edgeworn d.w. Zurich: The Graphis Press, (1985). A fine copy in a very good(+) dust wrapper. More
Philadelphia: Philadelphia Museum of Art, 1979. Profusely illustrated in color & in black & white. 4to, black cloth, d.w. Philadelphia: Philadelphia Museum of Art, 1979. A near fine copy in a very good dust wrapper. More
London: Robert Sawers, 1970. 1 page of introductory text by Jack Hillier, followed by the collection of 21 finely printed plates, each mounted with wheat paste and matted within an individual paper folder. The folders measure 9.5 x 13 inches, and the prints are approximately 4.5 x 9.5 inches. 4to, plates loose as issued in blue cloth portfolio with bone closures. London: Robert G. Sawers, [circa 1970]. First and only edition -- number 15 of 250. A very fine, unread..... More
Cambridge: Harvard University Press, 1970. Illustrated 4to, green cloth, d.w. Cambridge: Harvard University Press, (1970). A fine copy in a near fine dust wrapper. Second printing, with new introductory material. More
Berlin: Chryfelius, 1923. 23 hand colored original lithographs, each signed in pencil by the artist, Walter Wellenstein. 44 pages of text printed in gothic script, tall slim 4to, 3/4 vellum backed boards, spine slightly soiled. Berlin: Chryfelius & Schulz, 1923. Limited Edition. One of 200 numbered copies signed by the artist. More
London: Kegan Paul, 1896. Profusely illustrated, rubricated title, tissue guards, untrimmed. 4to, olive cloth, rubbed and corners bumped, but a fine copy inside. London: Kegan Paul, 1896. First Edition. Very good. More
Norman: University of Oklahoma Press, 1989. With a Commentary by the Artist. 118 black & white plates. 4to, red cloth, black spine, board slipcase. Norman: University of Oklahoma Press, (1989). Limited Edition. Fine. One of only 170 numbered copies signed on the title page by the artist. More
New York: Abrams, 1964. Many mounted color plates and black & white illustrations. Small folio, black cloth, d.w. New York: Abrams, (1964). First Edition. A fine copy in a very good (+) dust wrapper. Owner's bookplate on inside front cover. More
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I have just received John Ruskin's "The King of the Golden River" by this morning mail. Thank you very much for your kind arrangements.