Atget: The Pioneer
Munich: Prestel, 2000. Illustrated throughout with more than 160 sepia tone photographs by Egene Atget. 4to, tan boards, dust wrapper. Munich: Prestel, 2000. A fine copy in a fine dust wrapper. More
Munich: Prestel, 2000. Illustrated throughout with more than 160 sepia tone photographs by Egene Atget. 4to, tan boards, dust wrapper. Munich: Prestel, 2000. A fine copy in a fine dust wrapper. More
Paris: Arthaud, 1965. 576 photographic illustrations, depicting 365 monuments. Short thick square 4to, white cloth, d.w. (Paris): Arthaud, (1965). First Edition. Fine. More
Philadelphia: Lippincott, 1936. Translated by Arthur Livingston. 43 illustrations. 608pp., thick 8vo, red cloth. Philadelphia: J. B. Lippincott, 1936. A very good (+) copy. More
Paris: G. Cres, 1925. 232 illustrations, 192pp., square 8vo, stiff printed wrappers (uncut). Paris: G. Cres, 1925. Very good (+). Large paper copy. More
London: John Lane The Bodley Head, 1925. Illustrated with 95 facsimile reproductions of original drawings and copper plates engravings by the author, including folding map. 188pp., folio, black cloth, gilt decoration front cover; significant wear and discoloration to front and rear covers. London: John Lane The Bodley Head, (1925). First edition. Internally fine, a very good copy. More
San Francisco: Fraenkel Gallery, 2001. Illustrated with numerous wonderful b/w photographs and other pages, reproducing annotations and stains of originals. Thin folio, bound with heavy pictorial boards with a linen spine. (San Francisco: Fraenkel Gallery, 2001). First trade edition, one of 5000 copies. A fine copy, as new. Scarce. More
London: John Adamson, 1784. 36 volumes. 12mo, attractively bound in 3/4 tan calf, with green and tan leather spine labels, speckled boards. London: John Adamson, 1784. A lovely set in very good(+) condition. Anonymous. By Louis Petit de Bachaumont; continued by M.F. Pidansat de Mairobert and others. -- Barbier 3-253; Cioranescu (XVIII) 8979. More
Milan: Fratelli Fabbri, 1971. 38 color plates, 35 b/w Illus. 96pp. 4to, gray cloth, d.w. (Milano): Fratelli Fabbri, (1971). A fine copy in a very good dust wrapper. I Desegni dei Maestri No. 13. Drawings of French artists of the 18th century. More
New York: Braziller, 1968. 3 volumes in slipcase. Hundreds of Illustrations, many in color. 4to, light brown cloth, d.w. and slipcase. New York: George Braziller, (1968). A very good(+) copy. More
Le Caire, 1953. Illustrated in black and white. Text in French. Slim 8vo, tan printed paper wrappers. (no place) Le Caire: (1953). A very good copy-- wrappers soiled. More
Leipzig: Baedeker, 1914. 42 maps, several folding 63 plates. 648 pages, 12mo, flexible red boards. Leipzig: Karl Baedeker, 1914. Sixth Revised Edition. Very good. More
Paris: La Reunion des Musees Nationaux, 1992. Profusely illustrated in color & in black and white. Thick 4to, grey cloth, d.w. (Paris: La Reunion des Musees Nationaux, 1992. First Edition. Fine. More
New York: Wildenstein, 1989. Illustrated (black & white). 112 pages. Slim 4to, paper wrappers. New York: Wildenstein, (1989). A near fine copy. More
Charming color illus. by Bourg. Colored pictorial wrs.; uncut & unopened. (Paris), 1945. Limited numbered edition. More
New York: Dodd, Mead & Co., 1885. 20 maps and plates, some of the maps are folding. 2 volumes. 8vo, original green cloth, ex-lib, cloth lightly soiled on both volumes, corners lightly bumped on both volumes, foxing to Frontis. and title-page margin in both volumes, inner hinges strengthened in volume II. New York: Dodd, Mead, (1885). First Edition. "A pioneer work of highest grade...The author analyzes the episode of the Revocation, the flight from various parts of France, the refuge..... More
New York: Scribner, 1896. Two ex-libris volumes. xxvii, 577; xvi, 681 pages. Thick 8vos, green gilt-stamped cloth. New York: Scribner, (1896). Cloth edgeworn, page edges toned, several library markings both internally and externally. Bookplates at front paste-down endpapers. Overall, internally clean and tight. A good set. More
New York: Scribner, 1895. Frontispiece, and 2 folding maps. 2 Volumes. 8vo, original green cloth, spine ends and edges of corners worn on both volumes, corners bumped on both volumes, cloth lightly soiled on both volumes, tear in spine of second volume. New York: Scribners, 1895. Internally, a tight, bright set. More
New York: G.P. Putnam's Sons. A collection of black and white cartoons that had been previously published in 'The Bystander'. 8vo, blue cloth with pastedown; covers lightly worn with some rubbing. New York: G.P. Putnam's Sons, (no date, c. 1914). A very good copy. More
Paris: Reeunion des museees nationaux, 2000. Illustrated in black and white. 127 pages. Thin 8vo, brown cloth, d.w. (toned--particularly at spine, small scrape at rear). Paris: Reeunion des museees nationaux, (2000). A fine copy in a very good (+) dust wrapper. More
Harrisburg: Stackpole Books, 1989. Illus. 8vo, brown boards, d.w., front board lightly soiled, several pages lightly soiled in right margins. (Harrisburg): Stackpole Books, (1989). More
Mechanicsburg: Stackpole Books, 2005. Illus. 8vo, black boards, d.w. (Mechanicsburg): Stackpole Books, (2005). Book Club Edition. Fine. More
New York: Architectural History Foundation, 1991. Frontispiece, black & white illustrations throughout. x, 378 pages. Small 4to, red cloth with gilt lettering at the spine, pictorial d.w. New York: Architectural History Foundation/The MIT Press, (1991). A near fine copy in a near fine dust wrapper. More
New York: Architectural History Foundation, 1991. Illus. 4to, red cloth, d.w. New York: Architectural History Foundation, (1991). Very good. Presentation copy. More
Paris: L'Editeur, 1946. Color illustrations by Beuville. iv + 103pp., 8vo, stiff printed wrappers in decorative board portfolio, slipcase; some pages unopened, spine of portfolio and edges of slipcase darkened. Paris: Chez L'editeur, (1946). One of 750 copies on chiffon paper. A fine copy. More
New York: Kent, 1990. Introduction by Robert Rosenblum. 74 paintings reproduced. 151pp., tall 8vo, black cloth, d.w. New York: Kent Fine Art, (1990). A fine copy in a fine dust wrapper. More
Thanks for the help. You are one of 'The Last of the Good Guys'...
The Wanley arrived SO quickly, and I really love it! It is extremely hard to put down, even for a minute. Thank you very much for the book, the phone conversation, and the speedy arrival.