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New York: Harper & Brothers, 1878. With a Treatise on Furniture and Decoration. Illustrated with 100 original designs comprising cottages, villas and mansions. 219pp. + ads. Wide 8vo, original brown pictorial cloth stamped in blind, gilt & black (spine ends a touch worn, else near fine). New Yrok: Harper & Brothers, (1878). First edition. Very good (+). This book first introduced the Queen Anne style to America.
New York: Abrams, 1981. Profusely illustrated in color and in black & white. 307 pages. Large oblong 4to, red cloth lettered in white and black, orange printed d.w.; minor wear from removal of sticker on front free endpaper, dust wrapper lightly scuffed. New York: Harry Abrams, (1981). First edition. A very good copy in a very good dust wrapper.
Milan: Gorlich Editore, 1967. 469 color plates + bibliography. 2 volumes. Small folio, yellow cloth; spines very lightly faded. Milan: Gorlich Eitore, (1967). First Edition. 460 color plates + bibliography. 2 vols., small folio, yellow cloth. Milan: Gorlich Editore, (1967). First Edition. Sumptuous production, depicting 18th Venetian lacquered furniture & decoration. Near fine copy, with ownership signature.
New York: Cooper-Hewitt Museum, 1988. Additional text by Barbro Hovstadius. Illustrated throughout in black & white. 176pp. Short & oblong 8vo, pictorial boards. New York: Cooper-Hewitt Museum, (1988). A near fine copy. Catalog for an exhibition held at The Cooper-Hewitt Museum in New York and organized by the Nationalmuseum in Stockholm.
New York: Stewart Tabori & Chang, 1988. Foreword by Mario Buatta. Research assistance by Jeanne-Marie Casson. Profusely illustrated in color. 253pp. Wide 4to, white cloth, d.w. New York: Stewart, Tabori & Chang, (1988). First edition. A near fine copy in a near fine dust wrapper. Signed by the author on half-title.
Paris: Franco Maria Ricci, 1990. Illustrated with fine mounted color plates. 153 pages on pale blue paper. Short narrow folio, black gilt-stamped silk cloth with inlaid pictorial label; decorative endpapers, uncut edges, slipcase. Paris: Franco Maria Ricci, (1990). A fine copy in a near fine box. Very scarce. Limited edition. Number 2204 of 5000 copies, signed by Ricci.
London: University of London, 1972. Illustrated with 20 black & white plates. 50pp. Slim 8vo, stiff printed wrappers. London: University of London, 1972. Discolored endpaper from removed bookplate, still a very good copy. Monograph Series No. 2. Printed by the Percival David Foundation of Chinese Art at the School of Oriental Studies at the University of London.
New York: Rizzoli, 2011. Beautifully illustrated with photographs by Paul Barker, additional photographs from Country Life. Foreword by Sir Roy Strong. 272 pages. 4to, pictorial boards, d.w.; some tears to the rear panel of the dust wrapper. New York: Rizzoli, (2011). A fine copy in a very good(-) dust wrapper.
London: Tauris Parke, 2000. Illustrated throughout with color photographs by Naudin. 208 pages. Tall 4to, orange boards, d.w.; dust wrapperwrapper spine and top edge of boards are slightly sunned, minor wear at head. London: Tauris Parke, (2000). A near fine copy in a very good dust wrapper. Scarce.