Francesco Clemente
New York: Abrams, 1985. Well illustrated throughout with color images. 182 pages. 4to, stiff pictorial wrappers. New York: John and Mablr Ringling Museum & Abrams, (1985). A fine copy. More
New York: Abrams, 1985. Well illustrated throughout with color images. 182 pages. 4to, stiff pictorial wrappers. New York: John and Mablr Ringling Museum & Abrams, (1985). A fine copy. More
Buffalo: Albright Knox, 1993. Profusely illustrated in color & in black & white. Oblong 4to, glossy pictorial black wrappers. Buffalo: Albright-Knox Art Gallery, (1993). Fine. More
New York: Weatherhill, 1970. Profusely illustrated with well-printed b/w gravures and some color photographs by Dana Levy. 215 pages. 4to, green cloth, edgeworn dust wrapper. New York: Weatherhill, (1970). First edition. Ownership signature of artist Gene Moore, still a very good(+) copy in a very good(-) dust wrapper. More
London: Pitman House, 1980. Profusely illus. in color & b/w, 160pp., 4to, cloth, d.w. (edges bumped) London: Pitman House, (1980). Very good(+) copy in very good d.w. More
Munich: Hirmer, 1985. 73 full page color plates, plus additional color and black-and-white illustrations. 195pp., 4to, blue cloth, d.w., cardboard slipcase. Fribourg and Munich: Office du Livre and Hirmer, (1985). A fine copy in a fine dust wrapper. More
Singapore: Times Editions, 1988. Profusely illustrated. 240pp., 4to, black cloth, d.w. Singapore: Times Editions, 1988. A very good copy in a very good dust wrapper. Presentation copy signed by the author on the half title. More
Boston: Bulfinch, 1997. Special photography by David Finn. Packed with 400 illustrations, including 80 color and 142 duotones. 287 pages. Thick 4to, brown boards, d.w. (a bit faded and scuffed). Boston: Bulfinch Press, 1997. First edition. A near fine copy in a near fine dust wrapper. More
Washington: The Arthur M. Sackler Foundation, 1981. Illustrated (color and b/w). 298 pages. Folio, stamped orange cloth, dust wrapper; wrapper torn at top right corner. Washington D.C.: The Arthur M. Sackler Foundation, (1981). A fine copy in a very good(+) wrapper. More
New York: Metropolitan Museum of Art, 2003. Assisted by Claire A. Conway, with essays by Heidi Applegate and Eleanor Jones Harvey. 237 illustrations, 81 in full color. ix + 273pp., oblong 4to, tan cloth, d.w. New York/ New Haven: Metropolitan Museum of Art/ Yale University Press, (2003). Slight damage to front endpaper near hinge, still a near fine copy in a fine dust wrapper. More
Milwaukee: David Barnett, 1989. Edited by David J. Barnett.Color illustrations, 27 pages, oblong 4to, stiff pictorial wrappers. (Milwaukee): David Barnett Gallery, 1989. Fine. More
Naples: Harmon-Meek, 2005. 27 color illustrations, tall slim 8vo, stiff pictorial wrappers. (Naples): Harmon-Meek, 2005. Fine. More
New York: Yoseloff, 1962. Introductory text by Hilton Kramer. 96 illustrations in black and white and 16 in color. Slim 4to, white cloth (lightly dust-soiled), chipped d.w. New York & London: Thomas Yoseloff, (1962). First edition. Very good(+) in good dust wrapper. More
New York: McGraw-Hill, 1985. Many color plates. Oblong folio, blue cloth, d.w. slightly chipped on bottom of spine portion, bottom of cloth spine lightly worn, otherwise very good. (New York: McGraw-Hill, 1985). More
Amsterdam: Huguetan, 1699. Engraved frontispiece, 126 exquisite full page copperplates, several text engravings, woodcut figures and tail- pieces. 344 pp. + register. Small 4to, handsomely rebound in 1/2 brown morocco. Amsterdam: Huguetan, 1699. Fine. Only one copy in NUC of this translation of Aviler's commentary on Vignol's Cours d'Architecture. Vignola (1507 - 1575) was the first to codify the rules of architecture, and is best known as Michelangelo's successor in charge of the work on St. Peter's basilica, and for..... More
Tokyo: Kodansha, 1974. Translated by John Bester. Beautifully illustrated with black & white photographs. 184 pages. Small 4to, black cloth, d.w., printed cardboard slipcase. Tokyo: Kodansha International, (1974). Third printing. Fine in fine dust wrapper. More
New York: Abbeville, 1990. Lavishly and extensively illustrated. 418pp., large 4to, cloth, d.w. New York: Abbeville Press, (1990). A near fine copy in a very good (+) dust wrapper. More
New York: Hudson Hills, 1997. 381 color plates, 52 duotone, and 55 black-and-white illustrations. 453pp., thick 4to, cloth, d.w.; slight fading to spine of dust wrapper. New York: Hudson Hills Press, (1997). A fine copy in a near fine dust wrapper. More
London: Sotheby's, 1985. Frontis illustration and color images throughout.180 pages. Tall 4to, green cloth, d.w. London: Sotheby's, (1985). Ownership signature on front endpaper, still a near fine copy in a near fine dust wrapper. More
Milan: Arnoldo Mondadori, 1983. Translation by Lucia Caterina. Illustrated in color. Thick 4to, grey cloth, d.w. Milan: Mondadori, (1983). First Edition. Two small stains at upper and lower edges of front panel, otherwise fine. A near fine copy in a fine dust wrapper. More
Berkeley: University of California Press, 2000. Illustrated abundantly in color and in black and white. 240 pages. Square 4to, gray boards, d.w. (lightly worn/scratched). Berkeley: University of California Press, (2000). First American edition. Fine in a very good(+) dust wrapper. Published on the occasion of the exhibition Print, Power and Persuasion: Graphic Design in Germany 1890 - 1945, at The Wolfsonian, FIU. More
Woodstock: 1977. Profusely illus. 144pp. Square 4to, cloth, d.w. Woodstock, N.Y.: Overlook, 1977. vg. More
New York: Thames & Hudson, 1980. 151 illustrations, 48 in color. 168 pages. Small 4to, cloth, d.w. New York: Thames And Hudson, 1980. A near-fine copy in a near-fine dust wrapper. More
London: Country Life, 1929. 239 black & white photographic illustrations. 196 pages, small folio, black & grey cloth (rubbed), 2 small bookplates on inside front cover and an ownership stamp on the title page. London: Country Life, (1929). First Edition. More
New York: Weybright and Talley, 1971. Illus. 319pp. 8vo, d.w. N.Y.: Weybright and Talley, 1971. vg. More
Koln: Taschen, 1988. Illustrated with color photographs. 279 pages. 4to, glossy blue boards with white vignette, dust wrapper. Koln: Taschen, (1988). A near fine copy in a near fine dust wrapper. More
Hello. We have received the book this morning and are very pleased with it. We also wish that everyone we ordered books from packed them as well as you!
hank you for the Joan Didion book.. 6 out of 5 stars! A beautiful copy, quickly delivered, carefully packaged. Just the grace note I needed at the end of a long work day!