The Films of Marlene Dietrich.
New York: Citadel Press, 1968. With many b/w photographic illustrations throughout. 233pp. 4to, white cloth, edgeworn d.w. New York: The Citadel Press, (1968). A very good copy in a very good(-) dust wrapper. More
New York: Citadel Press, 1968. With many b/w photographic illustrations throughout. 233pp. 4to, white cloth, edgeworn d.w. New York: The Citadel Press, (1968). A very good copy in a very good(-) dust wrapper. More
New York: Simon & Schuster, 1998. Some black & white photographic illustrations. 8vo, two-toned black and tan boards, pictorial d.w. (several very tiny inked marks). New York: Simon & Schuster, (1998). First Edition. A fine copy in a near fine dust wrapper. More
New York: Dickinson Roundell, 2001. 51 color plates. Thin 4to, pictorial wrs. (New York): Dickinson Roundell, (2001). Fine Exhibition catalogue. More
New York: Lawrence Rubin, 1999. Exhibition Catalogue February 18 - March 20, 1999. 49 pages, slim 4to, stiff pictorial wrappers. New York: Lawrence Rubin 1999. Fine. More
New York: Artists Equity Assoc. 1953. Illustrated with original prints by a wide cross-section of American artists. Covers by Vertes & Frasconi. Among the artists contributing prints were, Milton Avery, Chaim Gross, Fritz Eichenberg, Reginald Marsh, Leo Lionni and Marcel Vertes. Folio, original illustrated wrappers, spiral bound. One of a series of annual volumes published in conjunction with an annual ball, and New York, Artists Equity Association, 1953. Scarce. A near fine copy. Limited to 2000 copies. "First conceived in..... More
New York: Artists Equity Assoc. 1954. Illustrated with original prints by a wide cross-section of American artists. Covers by Adolf Dehn &Ruth Reeves. Among the artists contributing prints were, Chaim Gross, Clara Klinghoffer, Leo Lionni, Moses & Raphael Soyer, Reginald Marsh, and Ben Shahn. Folio, original color illustrated wrappers, spiral bound. One of a series of annual volumes published in conjunction with an annual ball, and New York, Artists Equity Association, 1954. Scarce. A near fine copy. Limited to 2000..... More
New York: Artists Equity Assoc. 1958. Illustrated with original prints by a wide cross-section of American artists. Covers by Bertram Goodman & Remo Bramanti. Among the artists contributing prints were, Chaim Gross, John Gross, Robert Gwathmey, Jacob Lawrence, and Ben Shahn. Folio, original color illustrated wrappers, spiral bound; Minor damage to wrapper near spine. One of a series of annual volumes published in conjunction with an annual ball, and New York, Artists Equity Association, 1958. Scarce. A near fine copy..... More
New York: American Heritage, 1985. Black & white photographic illustrations. 168 pages. Slim 4to, red cloth with gilt lettering at spine, d.w. (sunned, slightly edgeworn). New York: American Heritage, (1985). A fine copy in a very good(+) dust wrapper. More
New York: Quadrangle, 1974. Illustrated in black and white. xii, 370 pages. 8vo, blue cloth, d.w. (two small tears). New York: Quadrangle, (1974). Boards sunned around edges, some staining to page edges. Very good in a very good dust wrapper. More
New York: Lafayette Parke Gallery, 1987. Introduction by Roy Karlen. Profusely illustrated in black and white. Unpaginated, slim 8vo, printed wrappers (small crease on back cover). New York: Lafayette Parke Gallery, (1987). Near fine. Exhibition catalog from the Lafayette Parke Gallery in New York City -- November 5 to December 19, 1987. More
Hannover: Fackeltrager Verlag, 1968. Text in German. Edited by Otto Conzelmann. 136 black & white plates of Otto Dix's drawings. 241pp. Square 4to, green cloth, slightly edge-worn d.w. Hannover: Fackeltrager Verlag, (1968). Sunned endpapers, still a very good(+) copy in a very good dust wrapper. More
Victoria: Images, 1995. Profusely illustrated with photos and drawings. 256 pages. Folio, black cloth, d.w. (Victoria): Images, (1995). A fine copy in a very good(+) wrapper, sunned spine. More
New York: Schocken Books, 1977. Illustrated in black and white. xviii, 269 pages. 4to, beige cloth with silver stamping, d.w. (lightly edgeworn). New York: Shocken Books, (1977). A near fine copy in a very good (+) dust wrapper. More
New York: Peter Blum, 1989. Beautifully designed oblong folio, 14" x 19". The book is a" book within a book" with an smaller book of figurative monotypes done from March 1 to November 20th of 1986. The larger monotypes are the main feature of the book; many of the prints are on fold-out pages. Beautifully designed oblong folio, 14" x 19". Pale blue boards, blue type, grey cloth spine, white board slipcase. New York: Peter Blum, 1989. First Edition. Limited..... More
Norwalk: The Easton Press, 2009. 208 pages. 8vo, full black leather with gilt cover decorations, page edges and lettering, peach silk moire endpapers. Norwalk, Connecticut: The Easton Press, (2009). Signed by Doctorow on a preliminary page. Number 255 of 1,100 First Edition copies. A fine copy. Contains a publisher's note, a certificate of authenticity signed by the author, the publisher and a witness, and a personalizable Bookplate sticker. More
Cambridge: Cambridge University Press, 2015. Some black & white illustrations. ix, 244 pages. 8vo, black cloth with gilt lettering at spine, d.w. (several small scuffs at front). Cambridge: Cambridge University Press, (2015). A fine copy in a near fine dust wrapper. More
Milan: 1991. Illustrated in black and white. Not paginated. Text in Italian. Very slim folio, color-illustrated wrappers. Milan, 1991. Slightly edgeworn, still a very good copy of this scarce book. Triennale di Milano, 12 Aprile - 12 Maggo 1991. More
New York: W.W. Norton & Company, 1977. Some black & white photographic illustrations. 473 pages. 8vo, red cloth with gilt lettering, pictorial d.w. (spine faded, edgeworn). New York: W.W. Norton & Company, (1977). First Edition. Slight shelf-wear on bottom edge of boards, small chip on top edge. A very good(+) copy in a very good dust wrapper. More
London: Fourth Estate, 2008. xlii, 532 pages. Thick 8vo, black cloth, d.w. London: Fourth Estate, (2008). First Edition. Pages toned and with light staining on outer fore-edge; several pages lightly bumped at rear. A very good copy in a near fine dust wrapper. More
New York: Harper, 1996. Frontispiece. 306 pages. 8vo, cloth-backed boards, d.w. (New York): Harper, (1996). First edition. A near fine copy in a very good(+) wrapper, lightly scuffed. More
Beverly Hills: Sage Publications, 1977. 244 pages. 8vo, pictorial wrappers. Beverly Hills: Sage Publications, (1977). First edition. Author's inked gift inscription and autograph on half-title page. Front and back covers have some small scratches and an inked mark. A very good(+) copy. More
Cambridge: Belknap Press, 1987. Black & white and color illustrations. 282 pages. Small 4to, gray cloth with title label at spine, pictorial d.w. (scuffed, sunned at spine). Cambridge: The Belknap Press of Harvard University, 1987. Slight shelf wear at bottom edge of boards. A near fine copy in a very good(+) dust wrapper. More
Bellevue: Bellevue Art Museum, 1985. With b/w and color illustrations throughout. 104 pages. Tall, slim 4to, pictorial wrappers. Bellevue: Bellevue Art Museum, (1985). A very good(+) copy--light sunning and scuffing to wrappers. More
Paris: Presses Universitaires de France, 1972. French Language. 674 pages, thick large 8vo, red cloth, dust wrapper (light edgewear). Paris: Presses Universitaires (1972). A near fine copy in a very good dust wrapper. Volume 2 in series of 3. More
Ure Smith Sydney. With an introduction by Paul Haefliger. Illustrated with 12 plates in color and 24 in b/w. 68pp. Slim oblong 4to, black cloth (rubbed and edgeworn), d.w. (edgeworn and torn). N.P.: Ure Smith Sydney, n.d. (circa 1960). A good copy in a good dust wrapper. More
Dear Argosy, the book has already arrived well in (old) Amsterdam! It's indeed a very nice piece. Many thanks & best regards to New York.
Got it today. That is an awesome package job you did... wow! Much appreciated.