Iconography de Saint Augustin: Les Cycles du XVeSiecle
P:aris: Etudes Augustiniennes, 1969. 137 illustrations. 8vo, tan cloth. Paris: Etudes Augustiniennes, 1969. More
P:aris: Etudes Augustiniennes, 1969. 137 illustrations. 8vo, tan cloth. Paris: Etudes Augustiniennes, 1969. More
Amsterdam: Da Capo, 1968. 4to, crimson cloth. Amsterdam/New York: Da Capo Press/ Theatrum Orbis Terrarum, 1968. Facsimile edition. Very Good (+). Number 13 of the English Experience: Its Record in Early Printed Books Published in Facsimile. Owner's name on fly-leaf. More
London: George Bell, 1888. viii + 337pp., 8vo, cloth; lightly worn, corners bumped. London: George Bell and Sons, 1888. A very good copy. More
New York: Oxford University Press, 1938. xviii+925pp. Very thick 8vo, red boards. New York: Oxford University Press, 1938. Worn hinge with ownership stamp on endpapers, still a very good(-) copy. Includes contemporary government writings and decrees as well as text by Sir John Fortescue, Simon Fish, Thomas Lupset, John Foxe, John Shute, Sir Thomas Smith, Peter Wentworth, Robert Hitchcock, Richard Hakluyt, Queen Elizabeth, Cardinal William Allen, Robert Beale, Peter Lowe, Nicholas Breton, Sir Henry Wotton, Thomas Powell, WIlliam Laud, Sir..... More
Ann Arbor: University of Michigan, 1976. With an essay by Anne De Coursey Clapp and contributions by several authors. More than 60 works reproduced in black and white. xiii + 244pp., tall 4to, printed pictorial wrappers; lightly rubbed and with small tears lower front corner. Ann Arbor: University of Michigan Press, (1976). A very good copy. More
Philadelphia: Porter & Coates, 1890. Illustrated in black and white, lettered tissue guards. 2 volumes, thick 8vo, 3/4 green morocco over marbled boards (very slight rubbing to extremities), spines (sunned), elaborately gilt stamped with raised bands, marbled endpapers (small abrasion to back attached endpaper in vol. 1). Philadelphia: Porter & Coates, 1890. A very good(+) set. More
New York: Metropolitan Museum of Art, 2004. Profusely illustrated in color and black and white. 658 pages. Very thick heavy 4to, glossy pictorial wrappers. New York and New Haven: The Metropolitan Museum of Art and Yale University Press, (2004). Near fine. More
Los Angeles: University of California Press, 1981. 274 pages. 8vo, cream cloth, d.w. Los Angeles: University of California Press, (1981). A fine copy in a near fine wrapper. More
Cambridge: Harvard University Press, 2001. Three volumes. 8vo, blue cloth, d.w. Cambridge: Harvard University Press, 2001. Near fine copies with very neat penciling to just several pages--underlining and faint ticks in margins; in very good(+) wrappers, sunned spines. More
New York: Hacker Art Books, 1985. 2 volumes. Profusely illustrated with 700 black and white images. One volume of text and one of plates. Large heavy 8vos, attractively designed pictorial peach color cloth with female nudes. New York: Hacker Art Books, 1985. Fine copies. Revised edition. More
New York: Smithmark Publishers, 1998. With many illustrations, mostly in color. 133pp. Short, slim 4to, black boards with mounted color illustration, d.w. slightly faded toward cover edges. New York: Smithmark Publishers, (1998). A fine copy in a near fine dust wrapper. From the Master Artists Library. More
London: Phaidon, 1956. Illustrated with b/w and color plates throughout. 425 pages. Short thick 4to, natural cloth, d.w. London: Phaidon, 1956. First English Edition. A near fine copy in a very good dust wrapper. A very good(+) copy, light discoloration to cloth; in a very good(-) wrapper, sunned with large tears in upper edge/head. More
Munich: Schneider, 1982. Illustrated. 4to, blue cloth. (Munich): Hans Schneider, 1982. Near Fine. Munchner Editionen zur Musikgeschichte. More
New York: Abrams, 1962. With 257 illustrations, including 24 mounted color plates. 327pp. Large square 4to, reddish cloth (lightly rubbed), d.w. (New York: Abrams, 1962). First edition. The first book to examine the Russian contribution to the modern movement in art and architecture. Owner'sname on fly leaf. More
Chicago: University of Chicago Press, 1992. Black & white illustrations, 301pp., 8vo, cloth, d.w. (slightly faded). Chicago: The University of Chicago Press, (1992). A fine copy in a very good (+) dust jacket. More
Turin: Istituto Bancario, 1996. TWO VOLUMES. Beautifully illustrated in color. 243pp. and 251pp., 4to, cloth, d.w., board slipcase. Torino: Istituto Bancario San Paolo di Torino, (1996 & 1997). A fine set in fine dust wrappers. Essays by various authors. More
New York: Atheneum, 1994. Illustrated in black and white. xx + 648 pages, thick 8vo, blue cloth-backed boards, dust wrapper. New York: Atheneum, 1994. First American edition. A fine copy. More
New York: Crescent Books, 1995. Profusely illustrated in color. 320 pages, 4to, white pictorial boards, matching dust wrapper. New York: Crescent Books, 1995. A fine copy in a near fine dust wrapper. More
London: Early English Text Society, 1975. Illustrated with black and white facsimile reproductions of the letters. 365 pages, 8vo, brown decoratively gilt stamped cloth, dust wrapper. London: Early English Text Society, 1975. A near fine copy in a very good(+) dust wrapper. More
New York: Pierpont Morgan, 1958. Numerous black & white illustrations and several in full color. 4to, blue cloth, gilt device on front cover, black board slipcase, bumped & edgeworn. New York: Pierpont Motgan Library, 1958. First Edition. A fine copy in a very good slipcase. More
New York: Abrams, 1984. Illustrations by Michelangelo throughout, mostly in color. Slim 4to, beige cloth, d.w. (totally intact but wavy).New York: Abrams, (1984) A fine copy in very good dust wrapper. More
Basil Blackwell: Oxford, 1962. Illustrated in black and white. Oxford, 1962. 356 pages, 8vo, black boards, dust wrapper (wrapper worn, chipped, and creased). A near fine copy in a good dust wrapper. Selection of passages from first hand accounts. More
New York: The Drawing Center, 1988. With many b/w illustrations. 243 pages. Small 4to, glossy pictorial wrappers. New York: The Drawing Center, 1988. Ownership inkstamp on endpaper, else a fine copy. Published by the Drawing Center, in conjunction with the exhibit of the same name. 9 April - 23 July 1988. More
Venice: Neri Pozza, 1962. 2 volumes. Volume I: 384pp with 24 color plates and Volume II, 766pp and 886 black & white illustrations. Tall thick 4to, green cloth d.w. (chipped). Venice: Neri Pozza, (1962). First Edition. Very good (+). A catalogue of the works of Giovanni Bellini, the Bellini workshop, his contemporaries and followers. Arntzen R 57. Freitag 713. More
Dear Sirs, Just to let you know, I've received my order -- it's a beautiful copy -- thank you again for your attention.
I usually receive my packages as soon as delivered. However, this one had quite a night outside in a snow storm. Thanks to the extra care in packaging and double layer of wrapping cardboard and plastic bag, the book survived in pristine condition.... It sat in a three foot snow drift pounded by snow plows, in minus 25Temps overnight and was discovered this afternoon, the top of the package peeking out of the drift. If not for the attention to packaging and packing materials, this book would have been destroyed. Please let the people who package our treasures know that they make a difference. Whether in person or mail order, you folks rock. Best wishes from the (damned) frozen Adirondacks...