New York: Regnery, 1970. Many illustrations throughout in color and b/w. Slim 4to, glossy pictorial boards featuring Playboy style nudes, sheathed in a plain lettered dust wrapper, complete with printed fingerprints and smudges. [New York: Henry Regnery], no date, circa 1970. First American edition. Some light corner wear, still a very good copy in a very good dust wrapper.
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New York: Harper, 1877. Frontispiece with tissue guards, 203 illustrations. Tall 8vo, original black and gilt-stamped decorative green cloth (spine ends neatly repaired; endpapers chipped; some worming at bottom edge of few pages, still very good), uncut edges, t.e.g. New York: Harper & Brothers, 1877.
London: Methuen, 1905. Colored frontispiece, and over 200 other reproductions. Thick Folio, cloth-backed boards (rubbed; spine repaired at joints and tips); uncut edges, t.e.g. London: Methuen, (1905). A very good copy with the small ownership signature of art historian Meyer Schapiro. Beau Monde; Dramatic & Musical; Royalty; Sport & Games; etc.
London: Bradbury, Agnew & Co., 1887. Hundreds of charming woodcut illustrations. 3 volumes, tall 4to, pictorial gilt blue cloth with elaborately designed covers, a.e.g. spines faded and rubbed at the extremities. London: Bradbury, Agnes & Co, 1887, A very good (+) copy, fine and clean in the interior.
London: Punch, 1878. Earl of Beaconsfield, in Upwards of 100 Cartoons from the Collection of Mr. Punch. 104 illus. Thin 4to, marbled boards, crudely re-backed in cloth: London: Punch, 1878. Reprints of Punch's political cartoons of the great statesman, dating from 1845-1878, more than half of them by John Tenniel.
London: Thomas Tegg, 1816. 27 handcolored plates, including fold-out frontispiece and one sepia plate, by Rowlandson. viii + 252 pp. Page numbers 73/74 are repeated but with different content. Tall 8vo, full crimson morocco, decoratively gilt covers and spine, inner dentelles, neatly recased, armorial bookplate. London: Thomas Tegg, 1816. First Edition. Near Fine. This work is a fierce satire against Lord Moira, the Marquis of Hastings, and the Governor General. The title page bears the Masonic emblems. Portrays the public.....
Paris: Tallandier. 2 volumes bound in 1. Profusely illustrated with many full page heliogravures in color and in black & white. Text illustrations throughout. Tall very thick 4to, 488 pages + 392 pages,3/4 mottled calf, marbled boards. top of spine chipped. Paris: Librairie Illustree Jules Tallandier, ca. 1885. Very good.
New York: Century Co., 1917. Foreward by Theodore Roosevelt and edited by J. Murray Allison. 2 volumes. 125 tipped in plates, some in color. Oversize folio, brown cloth with brown cloth wrappers, gilt lettering on front cover, black & gold leather spine labels t.e.g., as issued. New York: The Century Co, 1917. Limited Edition. Fine. Number 589 of 1050 copies.
New York: Knopf, 1978. 274 illustrations, including 64 pages in full color. 256pp, square 4to, cloth-backed boards, d.w. New York: Knopf in association with the Whitney Museum, 1978. First edition. A near fine copy in a very good dust wrapper with short closed tear on bottom edge. Presentation copy signed "Saul ST. Dec 78" on the half-title.
London: "Judy" Office. A Book About Plays and Playgoers. Actors and Actresses. Woodcut illustrations in color & in black & white by Archibald Chasemore and Alfred Bryan, Comic Scenes by Judy's Artists, and Chatter at the Wing by Charles H. Ross. Bound with: High Tide at Any Hour. A Book for Low Water and Low Spirits. Small 8vo, handsomely rebound in 3/4 blue morocco, marbled boards. London: "Judy" Office, ca 1890. A near fine copy.