To Be or Not to Be a Virgin.
8vo, cloth, d.w. New York, 1960. More
8vo, cloth, d.w. New York, 1960. More
240pp. 8vo, cloth, d.w. New Haven: Yale UP, 1990. Ownership signature, otherwise near fine in very good(+) dust wrapper. More
New York: Viking, 2012. Introduction by Frances Fitzgerald. xxiii + 232 pages, short 8vo, cloth-backed boards, d.w. New York: Viking, (2012). Pages toned, else a fine copy in a near fine dust wrapper. More
New York: Random House, 1991. Illustrated with black-and-white photographs. 509 pages, tall thick 8vo, cloth-backed boards. New York: Random House, (1991). First edition. A fine copy, as new, in a fine dust wrapper. More
1958. Illustrated. 301pp. 8vo, cloth. Boston: Little, Brown and Company, 1958. Very good copy in a good dust wrapper. More
Boston: Houghton Mifflin, 1990. Artists, Impresarios, Intimates. Illustrated. 314pp. 8vo, cloth-backed boards, d.w. Boston: Houghton Mifflin Company, 1990. First edition. A fine copy, as new, in a fine dust wrapper. More
New York: St. Martin's Press, 1984. Black and white photographs from the Kobal Collection. Translated from the French by Carey L. Smith. 158 pages. Slim 4to, cloth, dust wrapper. (New York); St. Martin's Press, (1984). First American Edition. Fine in near fine dust wrapper. More
Paris: Comptoir des Imprimeurs-Unis, 1849. 2 frontispiece portraits. 4 volumes, tall thick 8vo, ivory cloth (dust soiled), green leather labels, marbled boards, untrimmed, wide margins. Paris: Comptoir des Imprimeurs-Unis, 1849. Second Edition. Very good (+). More
Amsterdam: Da Capo, 1968. 4to, crimson cloth. Amsterdam/New York: Da Capo Press/ Theatrum Orbis Terrarum, 1968. Facsimile edition. Very Good (+). Number 13 of the English Experience: Its Record in Early Printed Books Published in Facsimile. Owner's name on fly-leaf. More
New York: Harper, 1977. Illustrated. 288 pages. 8vo, blue cloth, faded at edges, sunned d.w. New York: Harper & Row, Publishers, 1977. A very good9-) copy in a very good(-) dust wrapper. More
Paris: Renouard, 1866. Introduction par George Guiffrey. Folding facsimiles & numerous mounted india-proof portraits & vignettes. Tall 8vo, 3/4 crimson morocco; uncut. Paris: Renouard, 1866. Scarce. Very good (+). More
Paris: Mercure de France, 1929. 238pp., tall 8vo, beautifully rebound in 3/4 dark blue morocco, original yellow wrappers bound-in; tall raised bands, uncut edges, t.e.g. Paris: Mercure de France, 1929. Fine. More
Paris: Goupil, 1906. Title in red and black; hand-colored photogravure portrait & numerous photogravure plates, all with lettered tissue guards. Thick folio, full blue morocco, elaborate gilt-tooled borders & back, gilt arms on covers, g.t., marbled endleaves, by Darvand, original printed wrappers bound in; uncut. Paris: Goupil, 1906. Near Fine. One of 800 numbered copies printed on Chiffres Arabes. More
London: Sampson Low, Marston, Searle & Rivington, 1880. Published by her grandson Paul de Remusat. Translated from the French by Cashel Hoey & John Lillie. lxxv, 452; xxviii, 545 pages. Rebound in older 3/4 blue polished calf; gilt spines with burgundy morocco labels (rubbed but attractive and internally clean). London: Sampson Low, Marston, Searle & Rivington, 1880. A very good copy. More
New York: Scribner, 1898. Transated by Thomas Sergeant Perry. Frontis. 12mo, pale green cloth (ends a bit worn). N.Y., 1898. Famous Women of the French Court series. More
New York: Scribner, 1890. Translated by Thomas Sergeant Perry. Frontis. 12mo, blue cloth, bottom of spine very lightly worn. New York: Scribner's, 1890. Famous Women of the French Court series. More
New York: Scribner, 1898. Translated by Thomas Sergeant Perry. Frontis. 12mo, pale green cloth. N.Y., 1898. Very good. Famous Women of the French Court series. More
Boston: Beacon, 1989. Illustrated. xxiii + 372pp., 8vo, cloth-backed boards, d.w. Boston: Beacon Press, (1989). A near fine copy in a near fine dust wrapper. More
London: Chatto & Windus, 1907. Translated by P.H. Lee Warner. Frontis. 403pp. 8vo, cloth. London: Chatto & Windus, 1907. A very good(+) copy. More
Paris: Hachette, 1868. 16 tipped in plates and facsimile autographed letters, some several pages long. Tall 8vo, rubricated title, 3/4 red morocco, marbled boards. Paris: Hachette, 1968. Very good (+). More
Paris: Hachette, 1862. 14 volumes, plus additional Album with heraldry, portraiture, architecture, and facsimile letters. 8vo, 3/4 dark green morocco, red leather spine labels, ornately gilt-stamped spine with raised bands, top edge gilt, marbled boards and endpapers. Paris: Hachette, 1862-1868. Some bindings are faded to brown, still a very good(+) attractive set. More
Paris: J. Techener, 1861. Small vignettes throughout, 11 volumes, small 8vo, 1/2 brown morocco, gilt-stamped spine with raised bands, top edge gilt, marbled endpapers. Paris: J. Techener, 1861. Near fine. More
London: John Murray, 1962. Frontis. xi + 304pp., 8vo, purple cloth, d.w.; dust wrapper price clipped, edgeworn. London: John Murray, (1962). A very good copy in a very good (-) dust wrapper. More
Kyoto: Kyoto Shoin, 1990. Illustrated in color and black and white. very slim 4to, 50 pages, red and gray pictorial boards. Kyoto: Kyoto Shoin, (1990). A fine copy. ArT Random Series. Number 90. More
New York: Oxford University Press, 1986. 8vo, green cloth, d.w. lightly soiled. New York: Oxford University Press, 1986. Presentation copy. More
I saw CNN student news on the other day and impressed how you ladies doing at the bookstore. I am Japanese woman and we value and treasure ancient things. Plus I am a genuine bookworm who prefer printed volumes than electric gadget. So I wanted to say it was a great interview and wonderful to know that there are someone who try to preserve old things rather than sell them and go to Carribean or wherever to swing in hammock. Hope I can visit you someday. Love and respect,
I recently purchased a book from you, having searched via the internet. The book came yesterday and this note commends your service and quick response. I was impressed with the care taken to wrap the book with tissue paper and several layers of corrugated cardboard, as well as the speed with which you must have sent it out. It arrived only a week after the order, in spite of the Thanksgiving holiday. I thank you for the attention paid to the quality of my order and hope we will do more business.