London: Cresset Press, 1930. Illustrations in dry point by J.R. Hodgkins. 4to, beautiful and unusual full pictorial vellum; somewhat yellowed, covers slightly bowed,. London: Cresset Press, 1930. Limited First Edition. A very good(+) copy. Number V of only 30 copies signed in full by Warner. With an extra suite of 7 plates, each signed by Hodgkins. Previous owner's armorial bookplate on front attached endpaper.
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Berlin: die Schmiede, 1923. Roman von Ernst Weiss. Radierungen von Ludwig Meidner. Each of the 5 original etchings are signed by Meidner in pencil. 115pp. Short thin folio, bound in full vellum with gilt-stamped device on cover; uncut edges, t.e.g. Berlin: Verlag die Schmiede, 1923. Limited edition. One of only 25 copies (of 675 total) bound in full vellum, signed by Weiss and containing the 5 signed etchings. Covers are a bit warped as usual but are contained in the.....
Chicago: Caxton Club, 1923. 21 plates, three of which are in beautiful full color, with printed tissue guards + many fine engraved initials and tables throughout. 29pp. Thin 4to, 1/2 vellum, grey boards; uncut. Chicago: The Caxton Club, 1923. Fine but for a beautiful bookplate. A study of the genealogical tables used to decorate Boccaccio's great mythological work, from manuscripts and the early printed editions. One of 160 copies printed on hand-made Fabriano paper.
London: Henry Frowde, 1895. 976 pages, thick 8vo, full vellum, with gilt stamped device on cover and green leather spine label (covers a bit bowed, as customary with vellum, light dampstain affecting top and bottom edge of back cover, bottom edge, and back endpapers, text block clean), double column text. London: Henry Frowde, 1895. Despite minimal flaws, a lovely very good(+) copy. Complete poems. Bookplate on front attached endpaper.