London: Ballantyne Press /Vale Press, 1901. Border designs by Charles Ricketts. Thin 8vo, light green cloth, stamped in blind with a design by Ricketts, and in gilt on the spine. (London: Vale Press, 1901). Limited Edition. This edition was seen through the press by T.S. Moore, and printed at the Ballantyne Press, as part of the Vale Shakespeare. One of 310 (unstated) copies. The spine is slightly darkened and rubbed, the corners bumped and the preliminary pages lightly browned, but.....
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New York: Clarkson Potter, 1978. Edited, with Introductions, Notes. a Biography and Bibliography by A.L. Rowse. 3 volumes, very thick 4tos, 3/4 brown morocco, marbled boards, slipcase. New York: Clarkson Potter, (1978). Deluxe Limited Edition. Fine. Number 2 of only 250 copies signed by A. L. Rowse.
London: J. Tonson, 1734. Engraved frontispiece. 95,  pages, Slim 12mo, attractively rebound in marbled boards; tan polished calf spine with black leather label. London: Printed for J. Tonson, and the rest of the proprietors ; and sold by the Booksellers of London and Westminster, 1734. A near fine copy with early ownership name on title and inked notations on blank preliminary page.
Franklin Center: Franklin, 1975. Some illustrations throughout. 700, 640, 643, 237 pages. Four thick tall 8vos, full gilt-stamped red leather, a.e.g. Franklin Library, 1975-1981. A fine set. 100 Greatest Books Ever Written series. Eight Comedies 1978; Six Tragedies 1975; Six Histories 1981; Poems 1980.
Paris: Blaizot, 1913. Thick large 4to (8 " x 11 1/2"). Translated by Georges Duvall. Profusely illustrated by George Bruyer in black and white. Handsomely rebound in 3/4 burgundy morocco, marbled boards, ornately gilt spine. 227 pages + 1 page of publisher's advertisements with all text in French (foxing and offsetting from the plates). Original stiff wrappers bound in. Paris, Aug. Blaizot; Rene Kieffer, 1913. Collection Eclectique. Very good(+). Number 223 of 250 numbered copies.
New York: Frederick A. Stokes, 1910. Illustrated by Hugh Thomson with 40 delightful color plates, mounted on heavy brown paper and protected by lettered tissue guards. Other in-text drawings throughout. 170pp of text. 4to, original gilt-stamped pictorial vellum (lightly soiled, lacking the silk ties and warped); uncut edges, t.e.g. New York: Frederick A. Stokes, 1910. Very good. Limited edition. Number 288 of 350 copies. Signed by Thomson on the limitation page.
London: Heinemann, 1908. Forty color plates mounted on brown art paper, with descriptive tissue guards, tipped-in color frontispiece and tipped-in plates by Arthur Rackham, lettered tissue guards. Large quarto (11 1/4 x 9 inches; 286 x 229 mm.). , 134 pages, full vellum (lacks ties) thick 4to, London: William Heinemann and New York: Doubleday, (1908). Near Fine. Edition de Luxe, limited to 1,000 numbered copies signed by the artist, this being copy No. 599.
London: Heinemann, 1929. Illustrated by Arthur Rackham. 16 mounted color plates with lettered tissue guards, and other black and white illustrations. 134pp. Tall 8vo, original gilt-lettered aqua cloth with gilt design on front cover, spine faded, rubbed. Significant even browning on the pages with the tipped in plates. London: Heinemann, (1929). Overall a very good(-) copy. Reprint edition with 16 color plates. The original 1908 edition had 40 color plates.
New York: Doubleday, 1911. Illustrated by Arthur Rackham with many color plates, mounted on stiff paper and protected by lettered tissue guards, & other black & white drawings. 134pp. Short thick 4to, rebound in full tan morocco, image from original cover inlaid on front cover; gilt-stamped and lettered spine with black spine label, raised bands. New York: Doubleday Page & London: William Heinemann, (1911). Near Fine.
Cambridge: Limited Editions Club, 1967. Edited and introduced by Peter Alexander. Illustrated with wood engravings by Agnes Miller Parker. 298pp. Tall 8vo, brown leather-backed boards with spine label and blind-stamped oval portrait of Shakespeare on front cover; minor wear at head of spine, board slipcase with paper label. Cambridge: Limited Editions Club/University Printing House, 1967. A near fine copy in a very good box. One of 1500 numbered copies signed by the illustrator.
New York: Limited Editions Club, 1941. Edited by Herbert Farjeon. With an introduction by Louis Untermeyer. Color decorations and printers' flowers by Bruce Rogers. 2 volumes. Thin small folios, tan cloth-backed patterned boards, t.e.g., board slipcase (worn but sound). New York: The Limited Editions Club, 1941. Fine in very good box Limited Edition, one of 1500 copies signed by the illustrator.
London: Hopkinson, 1923. With a Latin Translation by A.T. Barton. Edited by John Harrower. Tall 8vo, rebound in full polished green calf with ornately gilt spine and cover rubricated edges. London: Martin Hopkinson, 1923. Near Fine. Number 187 of 525 numbered copies, printed at the Chiswick Press for the New Aldine Library series.
New York: Hodder & Stoughton. Illustrated by Edmund Dulac with 16 mounted color plates,. 144 pages. Tall thick 8vo, original blue cloth pictorially stamped in black and gilt (light edgewear and spine a bit sunned; neat ownership signature dated 1914). New York & London: Hodder & Stoughton, no date . A very good copy. The text is from the Oxford Edition.
Cambridge: Cambridge University Press, 2006. Illustrated throughout in color and black & white. 337 pages. Tall 8vo, black cloth, dust wrapper. Cambridge: Cambridge University Press, (2006). First edition. Remainder mark on bottom edges and the first 5 pages of text are have ink underlining, otherwise a near fine copy.
London: Centaur, 1964. Illustrated frontispiece. 308pp. Short 4to, blue cloth, lightly worn d.w. London: Centaur, (1964). Spine ends a bit soft, but still a near fine copy in a very good dust wrapper. As first published from the original papers with notes and a life of the author by Samuel Weller Singer. And now newly introduced by Bonamy Dobree.
New York: Columbia University Press, 1928. Illustrated. Folio, 109 pages, 3/4 brown morocco, g.t. deckled edges, felt lined brown cloth box. New York: Columbia University Press, 1928. Limited Edition. Fine. One of only 7 lettered copies printed by the Strawberry-Hill Press on Fabriano Italian handmade paper.