Edinburgh: Adam and Charles Black, 1878. 48 volumes. Frontispieces and numerous other illustrations throughout the text. Small 8vos, 3/4 brown polished calf over marbled boards; gilt-decorated spines with raised bands and leather labels, t.e.g., marbled endpapers, rubricated titles. Edinburgh: Adam and Charles Black, 1878. The Illustrated Edition. Some of the bindings have light wear at ends and are just a bit darkened on backstrip, still a very good attractive set. More

Edinburgh: Constable, 1814. 19 volumes. Tall 8vo, full polished calf, green leather spine labels, decoratively gilt, raised bands. Edinburgh: Constable, 1814. Original edition. Very good (+). More

Edinburgh: Archibald Constable and Co., 1820. 3 volumes. 12mo, original boards, uncut, neatly re-backed with heavy paper, leather spine labels. Edinburgh, Archibald Constable and Co., 1820. First Edition. All three volumes have half-titles, and some, but not all first issue points. Preserved in a leather backed clam shell case. More

Edinburgh: Adam and Charles Black, 1868. 12 volumes. Engraved frontispiece and extra illustrated title page in each volume, rubricated title pages. Thick 12mo, handsomely bound in full brown morocco with ornate gilt-decorated covers and spines; inner & outer dentelles, marbled endpapers, a.e.g. (each book has a light dampstain at foot of covers but barely visable on spines; internally clean). Edinburgh: Adam and Charles Black, 1868. A very good set. More

Edinburgh: Archibald Constable, 1808. 4 vols, small slim 8vo, 3/4 brown calf, marbled boards, ornately gilt spines, scuffed. Small section on one spine missing and repaired. The only work of fiction by antiquary and engraver Joseph Strutt (1749-1802), an historical romance set in 15th century England, published together with his play Ancient Times. The manuscript of the novel was unfinished at Strutt's death. Scott edited it for the publisher and completed the final chapter, and as such Queenhoo-Hall is Scott's..... More

Frontispiece portrait, and title page vignettes. 10 volumes. 8vo, full burgundy straight-grained morocco, gilt floral borders on covers, gilt decorated spines with raised bands, top edges gilt (ex. lib., some foxing, spines slightly bumped, some repairs to joints). Edinburgh: Archibald Constable and Co., 1821. More

Edinburgh: William P. Nimmo, 1880. 20 volumes, bound in 10. Tall 12mo, bound by Mudie in older 3/4 green morocco, marbled boards and edges. London: William P. Nimmo, 1880. A very good(+) set. More

London: Longmans, 1814. Handsomely illustrated with 92 full-page plates, including the double frontispiece, all engraved by J. Grieg from paintings by Luke Clennell and others. 2 volumes. Tall 4tos, beautifully bound in contemporary full blue straight-grained morocco, with ornate gilt and blind-stamped covers, gilt-stamped spines raised bands, inner dentelles, a.e.g. London: Longman, Hurst, Rees, Orme and Brown, 1814, 1817. A very handsome pair, with some rubbing to bindings but very clean with almost no foxing. More

New York: Appleton, 1860. Illustrated with 37 steel engravings, tissue guards . 4to, full brown morocco, decorative gilt pattern on spine, front and rear covers, a.e.g. New York: Appleton, 1860. Slight foxing throughout, still a very good copy. More

Edinburgh: Ballantyne, 1827. With a Preliminary View of the French Revolution. By the Author of "Waverley". 9 vols. 16mo, 3/4 leather over marbled boards; marbled edges. Edinburgh: Ballantyne, 1827. First Edition. The pages are in fine, clean condition, with half-titles and errata slips. The bindings are scuffed and missing many of the leather spine labels. More

London: Henry Frowde, 1910. Frontispiece portrait. 970pp, with text in double columns. Short thick 8vo, handsomely bound in 1/2 vellum, pink cloth, ornately gilt spine in red and gold with pink leather label. t.e.g. London: Henry Frowde, 1904. A near fine copy. Oxford Complete Edition. More

London: The Walter Scott Publishing Co., 1897. With an introductory note by E. Dixon. xx, 290 pages, short square 8vo, very handsomely bound in older vellum-backed pink cloth; small leather label and large gilt-stamped flower on spine (light foxing on fore-edge and neatly-inked name on front endpaper; otherwise a near fine copy in a very pretty binding), uncut edges, top edge gilt. London: The Walter Scott Publishing Co., (no date, circa 1897). One volume from The Canterbury Poets series, edited..... More