Abstrakte Kunst und Kirche: Studie uber die Kunst in der Heilsgeschichte.
Numberg: 1954. 56pp. , printed boards. (Nurnberg, 1954). More
Numberg: 1954. 56pp. , printed boards. (Nurnberg, 1954). More
Munich: Prestel, 1956. Illustrated with 13 plates in color and 96 in b/w. 112pp of text in German. Tall 4to, gilt- stamped burgundy cloth, chipped d.w. Munchen: Prestel, (1956). A near fine copy in a very good dust wrapper. With the small ownership signature of art historian Meyer Schapiro. More
London: Thames and Hudson, 1957. Illustrated with 13 color plates with gold highlights, and 96 monochrome plates. 96 pages of text, translated from the German of Dr. Peter Metz. Tall 4to, gilt-stamped burgundy cloth, pictorial d.w., printed mylar overwrapper (chipped). London: Thames & Hudson, (1957). First English edition. A fine copy in a near fine dust wrapper and very good mylar. The celebrated 10th century manuscript from the Benedictine abbey in Echternach, Luxembourg. More
New York: Praeger, 1957. Illustrated with 13 color plates with gold highlights, and 96 monochrome plates. 96 pages of text, translated from the German of Dr. Peter Metz. Tall 4to, gilt-stamped burgundy cloth, pictorial d.w., printed mylar overwrapper (chipped), worn cardboard slipcase. New York: Praeger, (1957). A near fine copy in near fine dust wrapper; very good(-) mylar and box. The celebrated 10th century manuscript from the Benedictine abbey in Echternach, Luxembourg. More
Book was received in good shape. It is a pleasure to deal with a bookseller that packages a volume so professionally!
I am very glad to let you know that the copy of Daniel Bell's The End of Ideology arrived yesterday in Brazil. Thank you very much for your kind attention and promptness.