America: Art and the West.
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
New York: Abrams, 1986. Profusely illustrated in color. 131pp. Oblong 8vo, black cloth, d.w. New York: The American Australian Foundation for the Arts & Harry Abrams, (1986). A near fine copy. More
Lyon: Chalumeau, 1936. Compte rendu des Journees 5,6,7 et 8 Mars 1936. Numerous plates and text illustrations. 2 vols, 4to, original printed wrappers; upper hinge of vol. I worn.(Lyon: Chalumeau, 1936). Very good. Among the papers presented at this conference in honor of the great French physicist who formulated the mathematical basis of electro-dynamics were contributions by Jean-Baptiste Perrin, Auguste Lumiere, Maurice Broglie, and Frederic and Irene Joliot-Curie. More
Munich: Hirmer, 1985. 73 full page color plates, plus additional color and black-and-white illustrations. 195pp., 4to, blue cloth, d.w., cardboard slipcase. Fribourg and Munich: Office du Livre and Hirmer, (1985). A fine copy in a fine dust wrapper. More
Geneva: Aubanel, 2003. Preface de Jacqueline Pagnol. Photographies de Thomas Delhemmes. Many excellent color photographs. 231 pages with text in French. 4to, blue boards, dust wrapper. (Geneve: Aubanel, 2003). Corners are slightly bumped, but still a near fine unread copy. More
illus. 4to, cloth. (Washington: Nat. Trust for Hist. Preservation), 1954. More
8vo, cloth, d.w. N.Y., (1963). More
Paris: Brossom, 1906. 8vo, old calf, worn; covers detached, text block is fine.. Paris, Brossom, Gabon et Cie, An VIII (1805). Third Edition. In this famous work, Bichat brought together all his concepts under a majestic doctrine of vitalism. He assigned a specific vital property or different mode of vitalism to each of the tissues he had defined, which he credited with their own type of sensibility and contractility. He brought histology to the service of pathology, and he is..... More
8vo, cloth; (spine lightly soiled). London: Imago, (1947). More
Nancy: Nicolas Baltazard, 1722. 287 pages. 12mo, full contemporary mottled calf, ornately gilt spine with red leather spine label; marbled end papers (rubbed overall with foot chipped and hinges starting). Paris: Nicholas Baltazard, 1722. Very good. Early ink inscription from 1846 on verso of title page. More
New York: Random House, 1988. 452 pages. Thick 8vo, 1/2 cloth, d.w. New York: Random House, (1988). First edition. A near fine copy. More
8vo, cloth, d.w. N.Y.: Harper, (1974). vg. More
New York: Smithmark, 1992. Profusely illustrated with black & white photographs. 111pp. Slim folio, black boards, dust wrapper. (New York: Smithmark, 1992). Near fine in very good dust wrapper. More
New York: Crescent Books, 1989. Many Illus. 4to, black cloth, d.w., pages slightly wavy throughout. New York: Crescent Books, (1989). More
New York: Paragon, 1969. Frontispiece portrait and large folding map. 301 pages, slim 12mo, green cloth, (top and bottom of spine bumped). New York: Paragon Reprint, 1969. Top and bottom of spine bumped. More
New Haven: Yale University Press, 2001. Illustrated. x + 374 pages, Square 4to, blue boards, d.w. New Haven: Yale University Press, (2001). A near fine copy in a very good(+) dust wrapper. More
New Haven: Yale University Press, 2001. Illus. Square 4to, blue boards, d.w. New Haven: Yale University Press, (2001). Fine. More
Lausanne: Edita, 1996. Profusely illustrated in color, 4to, cloth, d.w. (Lausanne), Edita, 1996. Fine. More
Paris: Maradan, 1817. 422pp., 8vo, full mottled calf with gilt-decorated spine; scattered foxing, pages lightly toned, covers rubbed. Paris: Chez Maradan, 1817. Second Edition. A tight, very good copy. More
Frontis. 238pp. 8vo, cloth. New bYork: D. Appleton, 1929. More
Newburgh: Assouline, 2004. 122 large unbound black & white photographic illustrations about 13 1/2 x 17 inches; housed in a black board folder within a pictorial black & white board slipcase with string ties. (Newburgh: Assouline 2004). Light scuffing and bumping to the box, else a fine copy. More
Paris: Marval, 1991. Many color photographs, folio, 160 pages, black cloth, d.w. pictorial board slipcase. (Paris): Marval, (1991). First Edition. Fine. Boldly inscribed and dated on the half-title. More
Mexico: 2002. Numerous color photographs by Ignacio Urquiza. Small folio, black cloth, d.w. (Mexico, 2002). Second edition. Fine. More
La Jolla: Alti, 1994. A book of vibrant color photographs. 223 pages. 4to, blue cloth, dust wrapper. La Jolla: Alti Publishing, (1994). Fine. More
Niort: Lefrac-Elies, 1792. 112 pages, tiny chip on half title and title page, slim 16mo, 1/2 vellum-backed marbled boards (vellum discolored). Niort: Lefranc-Elies, 1792. Very Good. More
Paris: Bailliere, 1889. 159 pages with text in French. 12mo, modern red marbled paper wrappers with remnants of original covers bound-in. Paris: J.B. Bailliere, 1889. First edition. Pages age-toned and somewhat brittle, with some dampstains at fore-edge margins, overall a good copy. A study of the unconsciousness under hypnosis. With a discussion of the hyman body's physiological function in such an impaired state. Cailler 2643. More
Hi, I just wanted to thank you for the wonderful care you took in getting the book to me. Also, your description was accurate -- so thank you and hope to do business again.
I thought you'd find this interesting: I learned of Argosy by reading a bit of "bad" publicity in the book "Used and Rare" by Lawrence and Nancy Goldstone; no doubt you're familiar with it. (It was unfortunate that the authors had to grind their ax in print in what was an otherwise enjoyable book.) But I had never heard of Argosy before and my curiosity was piqued, so negative comments notwithstanding, I decided to pay a brief visit to the store. I reserved a book (long sought-after) ahead of time because I knew I'd be on an extremely tight schedule with several stops to make in just a few hours' time. Calling to reserve the book was a pleasant, very efficient experience, with a prompt return call to confirm availability. When I stopped in to purchase the book, the greeting (by one of the sisters, I'm not sure which) was extremely pleasant, the service so prompt and also she informed me of a signed letter by the subject I was interested in (unfortunately, I was unable to purchase the letter that day). I found the photo of Lawrence Olivier and Vivien Leigh as Caesar (or Antony?) and Cleopatra which hangs over the register very interesting-- had seen it before in a book. My only disappointment was that I was unable to actually spend time in the store-- it looked so inviting! But I will make it a point to spend time there on my next visit. So you see, even bad publicity can be very beneficial! Thank you for an enjoyable, if brief, experience!