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London: J. Wright, 1804. Translated from the Italian. Illustrated with black and white frontispiece and title vignettes. 2 volumes. 8vos, full tan calf, ornately gilt stamped spines with red and green leather labels, gilt stamped dentelles, marbled endpapers (Head of spine of vol 2 rubbed, crazing to front cover of vol 2 and slightly affecting back cover of volume 1. Two red pen lines on verso of the half title page. Some very light foxing confined to a handful of.....
Philadelphia: George Barrie, 1900. Done into English Prose and Verse by John Payne. 2 volumes, illustrations in 2 states by Leopold Flameng, tissue guards. 8vo, blue cloth, paper spine labels. Philadelphia: George Barrie, N.d. ca. 1900. Near Fine. Number 68 of 100 numbered copies printed on Japan Vellum.
San Francisco: John Henry Nash, 1922. Translated from the Italian by Philip Henry Wicksteed. Text in red and black. 53pp. Slim folio, marbled boards; San Francisco: Printed by John Henry Nash, 1922. Near fine. One of 250 numbered copies. Printed in Inkunabula, an adaptation of the type used by Erhard Ratdolt in his Kalendarium of 1476. Ransom, p. 360.
Westminster: Folio Society, 2007. Translated by Richard Aldington and illustrated with aquatints by Buckland-Wright. 710 pages. Thick tall 8vo, handsomely bound in publisher's full red leather with gilt and black-stamped pictorial designs, t.e.g. Westminster: Folio Society, (2007). Limited edition -- one of 1750 numbered copies. A fine copy, preserved in a green cloth clamshell case along with a slim pamphlet "The Happy Art of Narration: Readings of Boccaccio and the Decameron"
Venice: Tomasso abettinelli, 1765. E corredato con Note riguardanti al buon indirizzo di chi desidera scrivere con purita, e proprieta Toscana a norma dell'uso presente: Si aggiungono col medesimo divisamento la Lettere dell'istesso Autore. Per Alessandro M. Bandiera. 2 volumes, thick 12mo, contemporary vellum, brown leather spine label, (rubbed). Venezia: Tommaso Bettinelli, 1765. Very good (+). A heavily annotated edition, with a collection of Boccaccio's letters, a glossary, and index.
New York: Grolier Club, 1900. Large folding view of Florence, frontispiece portrait of Dante. With an Introduction and a Note on the Portraits of Dante by G. R. Carpenter, title in red and black, decorations and rubricated initials throughout. 186 pages. 8vo, original orange vellum with ornate peacock design embossed in white. New York: Grolier Club, 1900. A very good(+) copy. Limited Edition, one of 300 copies on Italian hand-made paper.
Garden City: Garden City Publishing Inc., 1949. Two volumes. Translated by Richard Aldington. Illustrated by Rockwell Kent. 562 total pages, tall 8vos, brick-colored cloth (previous owner's bookplates pasted neatly on the front endpapers; tiny chip at the top of the spine of Volume Two). Garden City; Garden City Publishing Inc., 1949. Very good(+) condition. Signed in full by Kent on the limitation page in Volume One; No. 958 of 1,500 copies.
Garden City: Garden City Publishing Inc., 1949. Two volumes. Translated by Richard Aldington. Illustrated by Rockwell Kent. 562 total pages, tall 8vos, brick-colored cloth; publisher's pictorial board slipcase, worn. Garden City Publishing Inc., 1949. Limited Edition. Signed in full by Kent on the limitation page. No.500 of 1,500 copies. Somewhat musty odor from years in storage, but else a clean copy.