The Power of Theatrical Madness.
London: Institute of Contemporary Arts, 1986. Photos by Robert Mapplethorpe, drawings by the author. Thin 4to, black glossy pictorial boards. London: Institute of Contemporary Arts, 1986. First Edition. Fine. More
London: Institute of Contemporary Arts, 1986. Photos by Robert Mapplethorpe, drawings by the author. Thin 4to, black glossy pictorial boards. London: Institute of Contemporary Arts, 1986. First Edition. Fine. More
Paris: Merigot, 1787. xlviii + 239 pages, 12mo, 1/2 brown calf, marbled boards. Paris: Merigot, Cuchet & Mequignon, 1878. Second Edition. Scarce. A very good(+) copy. More
New York: Hawthorn, 1963. More than 50 pages of illustrations, many in color. 105 pages plus a chronology, tall 8vo, brown cloth, d.w.; dust wrapper edgeworn. New York: Hawthorn Books, (1963). First edition. Volume 7 of the New Illustrated Library of Science and Invention. More
New York: 1963. 8vo, red and yellow cloth, lightly chipped d.w. New York: Praeger, (1963). A very good(+) copy in a very good(-) dust wrapper. A novel examining De Gaulle's policies. More
New York: Dodd, Mead & Co., 1926. Illustrated with 12 mounted color plates by E.J. Detmold, protected with lettered tissue. 271 pages. Short thick 4to, original green cloth with gilt-stamped pictorial cover. New York: Dodd, Mead and Company, 1926. Reprint. Small gift inscription on end paper and cloth rubbed along front joint, still a very good(+) bright copy. More
Barcelona: Poligrafa, 1966. Profusely illustrated in color and black & white. Square 4to, decorative white cloth, d.w. (Barcelona): Poligrafa, (1966). Very good (+). Text in Spanish, French, English and German. More
New York: Tudor, 1968. Profusely illustrated in color and black & white. Square 4to, decorative white cloth, d.w. New York: Tudor, (1968). Very good (+). Text in Spanish, French, English and German. More
Book was received in good shape. It is a pleasure to deal with a bookseller that packages a volume so professionally!
As an Interior Decorator I am on the constant lookout for source material for my clients. I recently completed a Studio pied a terre in the Georgian period for Mr. David Brown at Lincoln Center. That is, we were almost finished with only the artwork to be designed and purchased. I have a passion for antique architectural prints and I can't believe that I didn't know about Argosy Books. After all Designers don't really like to share their finds with others. I was in a cab, looking out the window as we passed by Argosy Books and noticed a fine selection of framed prints hanging in the window. I had found my oasis! I now head first to Argosy for all my print work and framing. What a treasure and a real lifesaver for design business! Thanks eternal.